Results 1 to 10 of about 13,840,453 (201)
Принципы воспитывающего обучения в русском фортепианном исполнительстве [PDF]
В статье рассматривается проблема воспитания творческой личности музыканта-исполнителя (пианиста), его влияние на создание художественной интерпретации музыки.
Осипенко, Нина Николаевна
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Historicising the question of socialisation into “popular music”
This article is more of a programmatic text than a specific research report. It aims to show the necessity of a historicization of the question of musical socializations, in particular in the field of popular music which appeared during the 20th century ...
Marc Perrenoud
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CERTAIN ASPECTS OF USING A PHONOGRAM AS AN OBJECT OF RELATED RIGHTS
The production of phonograms of works is a process that requires not only financial costs, but also organizational arrangements to obtain the consent of the author of a musical work, and in the case of recording a song – the author of lyrics, to record ...
DAUTIA Tatiana Vasilevna
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MUSICAL ANALYSIS: METHOD, PRACTICE, CONCEPT [PDF]
Although music analysis is a familiar syntagma for all those who have professional connections with music, today manyresearchers are trying to defi ne its status, to reveal its place and role in the context of studying and understanding music.
MELNIC, VICTORIA
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Обсуждаются вопросы обновления вузовского музыкального образования на современном этапе. Актуализация содержания учебного материала сочетается с усилением практических аспектов подготовки выпускников.
Еременко, Галина Анатольевна
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Interpretive Content of a Musical Work: The Performing Aspect
The relevance of this study is determined by the urgent importance the issues of training the musicians in the context of qualitative nurturing their abilities for music interpretation in accordance with the author's main ideas.
Olga Solomonova +4 more
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Si può interpretare la musica elettroacustica?
Stephen Davies distinguishes two kinds of musical works: works for performance and works that are not for performance. He argues that electroacoustic music belongs to the latter kind.
Eric Maestri
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Improvvisazione e contraffatti. Circa il primato della prassi in ontologia della musica
In this paper I discuss a particular musical practice, the contrafacture, as an interesting case of artistic appropriation. I argue that musical contrafacture, especially in the jazz field, may deflate some biased assumptions that sometimes are taken for
Alessandro Bertinetto
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INTERPRETATIVE ANALYSIS: ATTEMPT AT DEFINITION [PDF]
The phrase interpretative analysis is composed of two terms – analysis and interpretation, bohh seemingly simple and clear at a first glance, but complex and vague (if not confusing) in an attempt at defi nition and understanding.
MELNIC, VICTORIA, ANDRIEȘ, VLADIMIR
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The Enduring Value of Children’s Music by D. B. Kabalevsky as a Subject of Mastering by Young Pianists [PDF]
This article analyzes pages from the piano heritage of D. Kabalevsky, which is addressed to the children studying in children musical schools and art schools.
Marina V. Smirnova, Anna A. Shtrom
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