Results 1 to 10 of about 1,353,894 (202)

Electroacoustic Music in Mexico [PDF]

open access: yesRupkatha Journal on Interdisciplinary Studies in Humanities, 2010
Mexico has been an outsider to the electroacoustic music movement. Countries likeArgentina, Cuba and Chile were pioneers in establishing electronic music centers in thecontinent. This texts aim to illustrate briefly the story behind the first initiatives
Rodrigo Sigal
doaj   +2 more sources

Audiovisual electroacoustic music for VR

open access: yesPer Musi, 2021
This article aims to define the development of audiovisual electroacoustic music for virtual reality (VR) as an emerging artistic expression. Revisiting concepts and terminologies by several authors (Gibbs, 2007; Leite, 2004; Lima, 2011; Fry, 1920) in ...
Fabio Wanderley Janhan Sousa
doaj   +2 more sources

Listening to Contemporary Art Music: A Morphodynamic Model of Cognition [PDF]

open access: yesJournal of Cognition, 2023
This paper proposes that the perceptual and cognitive mechanisms involved when listening to certain genres within “sound-based” music, such as post-spectralism, glitch-electronica, and electroacoustic music and in various areas of sound art, are best ...
Riccardo D. Wanke
doaj   +2 more sources

Cross-Modal Musical Expectancy in Complex Sound Music: A Grounded Theory [PDF]

open access: yesJournal of Cognition, 2023
Expectancy is a core mechanism for constructing affective and cognitive experiences of music. However, research on musical expectations has been largely founded upon the perception of tonal music.
Juan Pablo Correa
doaj   +2 more sources

Eulalie, un système documentaire pour préserver la musique électroacoustique basé sur l’ontologie Dorémus

open access: yesHumanités Numériques, 2023
Eulalie is an operational, open-source, and free information system dedicated to electroacoustic music for the documentation and preservation of works.
Bernard Jacquemin   +5 more
doaj   +1 more source

Si può interpretare la musica elettroacustica?

open access: yesAisthesis, 2014
Stephen Davies distinguishes two kinds of musical works: works for performance and works that are not for performance. He argues that electroacoustic music belongs to the latter kind.
Eric Maestri
doaj   +3 more sources

About Electroacoustic Music: From the Beginning until Our Days

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2023
In this article, we will follow the development of electroacoustic music. This article focusses especially on the instruments that contributed to the apparition of this genre of music, starting with the beginnings, before the twentieth century. This will
Anca-Teodora PIEPTĂNATU
doaj   +1 more source

Idiosyncratic Audio Feedback Networks for Music Creation

open access: yesRevista Vortex, 2022
This article presents practical and artistic contributions to the field of computer music systems based on audio feedback networks. The ideas that oriented the conception of two digital music instruments and examples of their use in the author's music ...
Adriano Claro Monteiro
doaj   +1 more source

The role of technology in the aesthetics of postwar serial music

open access: yesMusicologica Brunensia, 2017
New ideas about music in Europe around 1950 resulted, in part, from contemporaneous research being done in electroacoustic music studios. Early serial composers, searching for a material untouched by history, turned to the basic components of sound ...
Marcus Zagorski
doaj   +1 more source

Narrative Strategies and Sound Space in Nau dos Insensatos by Conrado Silva at the XXth São Paulo Art Biennial

open access: yesMusica Theorica, 2021
Nau dos Insensatos is an electroacoustic composition by Conrado Silva commissioned for the XXth São Paulo Art Biennial of 1989. The analysis of the piece reveals that an intrinsic narrative content can be deduced from the sequence of materials, topics ...
Rodolfo Coelho de Souza   +1 more
doaj   +1 more source

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