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Musical Works

2001
Abstract Musical works can be for live performance, for studio performance, or for playback, not performance. The ‘thinner’ the work, the less the work determines details of its accurate instances, but even the ‘thickest’ of works for performance leave their performers with considerable scope for interpretation.
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The Imaginary Museum Of Musical Works

1994
Abstract What is involved in the composition, performance, and reception of classical music? What are we doing when we listen to this music seriously? Why when playing a Beethoven sonata do performers begin with the first note indicated in the score; why don't they feel free to improvise around the sonata's central theme?
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Sounds, Instruments, and Works of Music

2007
Abstract A satisfying account of the ontology of works of music must do two things. First of all, it must enlighten us as to musical works’ ontological nature: that is, tell us to which ontological category such works belong. Building on this, it must then explain how musical works are individuated: that is, provide an informative ...
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Musical Training and Brain Volume in Older Adults

Brain Sciences, 2021
Arthur F. Kramer   +2 more
exaly  

Musical Works and Audio-Visual Works.

2016
This WIPO toolkit offers a practical approach to the collective management of copyright and related rights.
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On the Musical Work Game. An Essay on the Concept of the Musical Work

International Review of the Aesthetics and Sociology of Music, 2001
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The Effect of Musical Stimulation and Mother’s Voice on the Early Development of Musical Abilities: A Neuropsychological Perspective

International Journal of Environmental Research and Public Health, 2021
Michał Harciarek   +1 more
exaly  

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