Results 51 to 60 of about 13,840,453 (201)
A generative model of teachers' thinking on musical creativity [PDF]
, 2009 This article draws on and extends a four-year investigation of creativity in music education with particular reference to the perceptions of six secondary school teachers (Odena & Welch, 2007; Odena, Plummeridge, & Welch, 2005).
Oscar Odena +5 more
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Embodied labour in music work [PDF]
The British Journal of Sociology, 2015 AbstractThis paper frames the work of performance as embodied labour in order to understand the contingent production of particular music performances. It is an interdisciplinary account that sits at the intersection of the sociology of work, culture and the body.
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Вісник КНУКіМ: Серія Мистецтвознавство, 2019 The purpose of the article is to consider the theoretical and educational way of treating the issue of choreographic skills formation in the process of specialist training; validate theoretically the studying methods of the basis of choreography on the ...
Liudmyla Kasianenko
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the churches of lalibela: erosion and encrustation as transformative musical processes [PDF]
This thesis outlines a new compositional grammar for my recent compositional practice as demonstrated by the collection of original musical work supplied in the accompanying folio of compositions, itself collectively titled the churches of lalibela.
Sergeant, Matthew
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Methodos, 2011 A musical instrument has no specific identity until it is played by a concrete musician or used in a singular work. According to Stravinsky, a musical instrument is « nothing in itself ».
Jacques Dewitte
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parklab/MuSiCal: MuSiCal v1.0.0
, 2023 <h2>What's Changed</h2> <ul> <li>Bug fix related to input of DenovoSig by @Hu-JIN in https://github.com/parklab/MuSiCal/pull/59</li> <li>Bug fix; Missing connected signatures by @BeGeiger in https://github.com/parklab ...
Hu Jin, BeGeiger, viklju, Doga C. Gulhan
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Musical Ontology and the Audibility of Musical Works
British Journal of Aesthetics, 2023 AbstractThere are compelling reasons to believe that musical works are abstract. However, this hypothesis conflicts with the platitude that musical works are appreciated by means of audition: the things that enter our ear canals and make our eardrums vibrate must be concrete, so how can musical works be listened to if they are abstract?
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Dalcroze e a Linguagem Musical
This article briefly outlines the fundamental principles of the Jaques-Dalcroze methodology, addressing its definition, the creator Émile Jaques-Dalcroze, specific characteristics, current applications, and contributions to music education.
Bilbao Bartolomé, Maite
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, 2016 When Carrie the Musical first debuted in 1988 it (in)famously closed eight days later, earning the dubious title of being one of the biggest flops in the history of Broadway.
Tuffin, Zoë, Pike, Shane
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Sociologies, 2018 On the edge of the contemporary transformations of work, artistic professions are often reduced to a set of distinctive traits that stress their originality in opposition to traditional wage work, but which tend to hide the internal stratification of ...
Marc Perrenoud, Pierre Bataille
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