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Fit to Perform: A Profile of Higher Education Music Students’ Physical Fitness [PDF]

open access: yes, 2020
Musicians are often called athletes of the upper body, but knowledge of their physical and fitness profiles is nonetheless limited, especially those of advanced music students who are training to enter music’s competitive professional landscape.
Ackermann   +81 more
core   +3 more sources

Disordered but rhythmic—the role of intrinsic protein disorder in eukaryotic circadian timing

open access: yesFEBS Letters, EarlyView.
Unstructured domains known as intrinsically disordered regions (IDRs) are present in nearly every part of the eukaryotic core circadian oscillator. IDRs enable many diverse inter‐ and intramolecular interactions that support clock function. IDR conformations are highly tunable by post‐translational modifications and environmental conditions, which ...
Emery T. Usher, Jacqueline F. Pelham
wiley   +1 more source

Reconciliation, trauma and the native born [PDF]

open access: yes, 2015
How should non-Indigenous Australians reconcile with Indigenous people? The Aboriginal Reconciliation Council urges newcomers to view the land through the eyes of the Indigenous owners.
Read, Peter
core  

Musicians do not benefit from differences in fundamental frequency when listening to speech in competing speech backgrounds

open access: yesScientific Reports, 2017
Recent studies disagree on whether musicians have an advantage over non-musicians in understanding speech in noise. However, it has been suggested that musicians may be able to use differences in fundamental frequency (F0) to better understand target ...
Sara M. K. Madsen   +2 more
semanticscholar   +1 more source

Protein pyrophosphorylation by inositol pyrophosphates — detection, function, and regulation

open access: yesFEBS Letters, EarlyView.
Protein pyrophosphorylation is an unusual signaling mechanism that was discovered two decades ago. It can be driven by inositol pyrophosphate messengers and influences various cellular processes. Herein, we summarize the research progress and challenges of this field, covering pathways found to be regulated by this posttranslational modification as ...
Sarah Lampe   +3 more
wiley   +1 more source

Effects of audio feedback interventions with the Disklavier on the performance of piano students

open access: yesFrontiers in Psychology
ObjectiveAt an advanced level, musicians need to consider specific strategies of self-observation and self-evaluation to improve performances. Thus, the use of self-recordings is a suitable method.
Manfred Nusseck   +3 more
doaj   +1 more source

Enhanced auditory evoked potentials in musicians: A review of recent findings

open access: yesJournal of Otology, 2016
Auditory evoked potentials serve as an objective mode for assessment to check the functioning of the auditory system and neuroplasticity. Literature has reported enhanced electrophysiological responses in musicians, which shows neuroplasticity in ...
Himanshu Kumar Sanju, Prawin Kumar
doaj   +1 more source

Function‐driven design of a surrogate interleukin‐2 receptor ligand

open access: yesFEBS Letters, EarlyView.
Interleukin (IL)‐2 signaling can be achieved and precisely fine‐tuned through the affinity, distance, and orientation of the heterodimeric receptors with their ligands. We designed a biased IL‐2 surrogate ligand that selectively promotes effector T and natural killer cell activation and differentiation. Interleukin (IL) receptors play a pivotal role in
Ziwei Tang   +9 more
wiley   +1 more source

The Anxious Musician: Coping Strategies Used to Combat Music Performance Anxiety [PDF]

open access: yes, 2019
Music Performance Anxiety, or MPA, affects over 20% of musicians, regardless of age, experience, or nationality. MPA is a form of social anxiety that causes the performer great distress before and during a performance experience, often causing the ...
Lockhart, Abigail
core   +1 more source

Investigation Methods for Vocal Onset—A Historical Perspective

open access: yesBioengineering
The topic of phonation onset gestures is of great interest to singers, acousticians, and voice physiologists alike. The vocal pedagogue and voice researcher Manuel Garcia, in the mid-19th century, first coined the term “coup de la glotte”.
Bernhard Richter   +2 more
doaj   +1 more source

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