Results 21 to 30 of about 116 (100)
Participation of Acoustic and Electric Hearing in Perceiving Musical Sounds
Frontiers in Neuroscience, 2021 Introduction: The objective of our study was to evaluate musical perception and its relation to the quality of life in patients with bimodal binaural auditory stimulation.Materials and Methods: Nineteen adult patients with a cochlear implant (CI) for ...
Sonia Duret +7 more
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Saint Jacques et la musique pour son culte dans la vice-royauté du Pérou baroque
Ad LiminaThis article provides an introduction to the study of music dedicated to the cult of St James the Apostle in Baroque Peru. It examines the saint’s presence from the early days of Spanish colonisation, his imprint on the collective imagination of the ...
Philippe Picone
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Refugees for Refugees: Musicians between Confinement and Perspectives
Arts, 2019 Driven by the solidarity movements following the “refugee crisis” of 2015, the Brussels-based non-profit organization Muziekpublique, specialized in the promotion of so-called “world music”, initiated the Refugees for Refugees ...
Hélène Sechehaye, Marco Martiniello
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Calenda, 2021 This thematic issue proposes to reflect on new avenues of research in music with an emphasis on plurality ofexpertise, on transdisciplinary approaches, and on alternative practices.
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Calenda, 2023 Rendere disponibili alla fruizione del pubblico di oggi i testi e le melodie dei corpora cantati del Medioevo e del Rinascimento costituisce un aspetto tra i più importanti del lavoro degli specialisti. L’edizione, sia essa di stampo musicologico oppure filologico, può essere improntata a principi e seguire pratiche diverse.
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The impact of pianist-controlled engaged mass on piano keystroke dynamics
Acta AcusticaThe conventional methods used to measure and model the dynamics of a piano keystroke typically involve applying force at the key front using mechanical excitation.
Somma Antonio +2 more
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Jalons pour des études comparatives en musique entre France et Espagne au XVIIe siècle
E-Spania, 2016 Les études comparatives en musique se heurtent à un double défi qui n’a jamais été pleinement résolu. Celui de la langue de réflexion – et de rédaction – sur les sources documentaires d’une part et, d’autre part, celui du langage même de la musique.
Louis Jambou
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DAPesquisa, 2016 Quem foi François-Joseph Fétis? Qual a relação deste personagem, ilustre e desconhecido, com o termo “tonalidade” que atualmente empregamos tão corriqueiramente? Quais as principais repercussões de suas análises e concepções?
Sergio Paulo Ribeiro de Freitas +1 more
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La Narrativisation de la musique
Cahiers de Narratologie, 2011 After describing the main features of the literary narrative and demonstrating its analogy with music, the author underlines the necessity not to conider a priori a musical production as a narrative.
Jean-Jacques Nattiez
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Filigrane, 2005 En un peu plus d'un siècle d'existence, la musicologie a réuni toutes sortes d'outils théoriques (issus aussi bien de la pédagogie de la composition musicale que de la philologie ou des sciences humaines) dans le but de stabiliser et d'analyser des objets musicaux.
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