Results 101 to 110 of about 48,614 (273)
On Letting the Music Speak for Itself: Some Reflections on Musicology and Performance [PDF]
, 1982 Richard Taruskin
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Musicology in the context of media - media in the context of musicology [PDF]
, 2018 XIV. International Conference of the Department of Musicology Faculty of Music, University of Arts Belgrade, October 24–27 ...
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, 2018 This chapter briefly retraces the path that led to the arguments in the development of social justice and a democratic culture. It sets out with a commitment to multiculturalism and cultural relativism, and so an early research in Orientalism, in the sense in which Said and postcolonial theorists used that term.
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MUSICOLOGY AS AN EVOLUTIONARY SYSTEM OF THE MUSICAL THINKING CATEGORIES (PROPOSED FORAMETHODOLOGICAL-HERMENEUTICS APPROACH) [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2015 The appearance of musicology as a science is due yo Guido Adler’s foundation act of 1885. The dialectical formulation of musicology as an interaction between systematic and historical disciplines were to confer it sufficien methodological force so that ...
GARAZ OLEG
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, 1991 List of contributors to the Fall 1991 (4/2) issue of Performance Practice Review.
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Introducing the MusicLab Copenhagen Dataset
Music & ScienceMusicLab Copenhagen was a unique research concert featuring the world-renowned Danish String Quartet in a naturalistic setting. The audience was split between one group physically located in the hall, another group listening to a radio broadcast, and a ...
Simon Høffding +27 more
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Preconceptual Spectral and Temporal Cues as a Source of Meaning in Speech and Music
Brain Sciences, 2019 This paper explores the importance of preconceptual meaning in speech and music, stressing the role of affective vocalizations as a common ancestral instrument in communicative interactions. Speech and music are sensory rich stimuli, both at the level of
Mark Reybrouck, Piotr Podlipniak
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Musicology and Performance Practice: In Search of a Historical Syle with Bach Recordings [PDF]
, 2000 Dorottya Somorjay
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Boston University Wind Ensemble, April 26, 2001 [PDF]
, 2001 This is the concert program of the Boston University Wind Ensemble performance on Thursday, April 26, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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The Role of Embodiment in the Perception of Music
Empirical Musicology Review, 2015 Since its breakthrough at the beginning of the twenty-first century, the embodied music cognition theory has inspired empirical research on the role of actionperception couplings in musical activities.
Marc Leman, Pieter-Jan Maes
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