Results 101 to 110 of about 59,962 (287)
Introducing the MusicLab Copenhagen Dataset
Music & ScienceMusicLab Copenhagen was a unique research concert featuring the world-renowned Danish String Quartet in a naturalistic setting. The audience was split between one group physically located in the hall, another group listening to a radio broadcast, and a ...
Simon Høffding +27 more
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Preconceptual Spectral and Temporal Cues as a Source of Meaning in Speech and Music
Brain Sciences, 2019 This paper explores the importance of preconceptual meaning in speech and music, stressing the role of affective vocalizations as a common ancestral instrument in communicative interactions. Speech and music are sensory rich stimuli, both at the level of
Mark Reybrouck, Piotr Podlipniak
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Musicology and Performance Practice: In Search of a Historical Syle with Bach Recordings [PDF]
, 2000 Dorottya Somorjay
openalex +1 more source
Perspectives on a 21st Century Comparative Musicology: Ethnomusicology or Transcultural Musicology?
Ethnomusicology, 2021 Cristina Ghirardini
semanticscholar +1 more source
Muir String Quartet, April 20, 2010 [PDF]
, 2010 This is the concert program of the Muir String Quartet performance on Tuesday, April 20, 2010 at 7:00 p.m., at the Metcalf Trustee Center, 1 Silber Way, Boston, Massachusetts. Works performed were Quartet in C Minor, op. 18, No. 4, Quartet in F Major, op.
School of Music, Boston University
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Boston Baroque with Il Furioso, April 14, 2009 [PDF]
, 2009 This is the concert program of the Boston Baroque with Il Furioso performance on Tuesday, April 14, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Geography and film music: Musicology, gender, and the spatiality of instrumental music
, 2021 P. Kirby
semanticscholar +1 more source
Open House Student Recital, April 9, 2016 [PDF]
, 2016 This is the concert program of the Open House Student Recital on Saturday, April 9, 2016 at 9:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Concertino, Op. 107 by Cecile Chaminade, arranged by Hal Ott, I.
School of Music, Boston University
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The Role of Embodiment in the Perception of Music
Empirical Musicology Review, 2015 Since its breakthrough at the beginning of the twenty-first century, the embodied music cognition theory has inspired empirical research on the role of actionperception couplings in musical activities.
Marc Leman, Pieter-Jan Maes
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Boston University Chamber Orchestra, November 20, 2003 [PDF]
, 2003 This is the concert program of the Boston University Chamber Orchestra performance on Thursday, November 20, 2003 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Adagio for Strings
School of Music, Boston University
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