Results 161 to 170 of about 15,427 (214)

Early harmonies, enduring echoes-how early life experiences and personality traits shape music performance anxiety. [PDF]

Front Psychol
Aubry L, Küssner MB.
europepmc   +1 more source

Connoisseurship and Technical Analysis Re-evaluating the Laughing Cavalier Forgery 100 Years After the Court Case

Tummers A, Alfeld M, Dik J, Fahed I, d’Imporzano P, Janssens K, Kokkedee L, Litjens S, Pizurica A, Vandenabeele P, Vermeersch E, Vyncke N, Wallert A.   +12 more
europepmc   +1 more source

Big Data for Musicology

Proceedings of the 1st International Workshop on Digital Libraries for Musicology, 2014
Digital music libraries and collections are growing quickly and are increasingly made available for research. We argue that the use of large data collections will enable a better understanding of music performance and music in general, which will benefit areas such as music search and recommendation, music archiving and indexing, music production and ...
Tillman Weyde, Stephen Cottrell, Jason Dykes, Emmanouil Benetos, Daniel Wolff, Dan Tidhar, Alexander Kachkaev, Mark D. Plumbley, Simon Dixon, Mathieu Barthet, Nicolas Gold, Samer A. Abdallah, Aquiles Alancar-Brayner, Mahendra Mahey, Adam Tovell   +14 more
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Musicology

2007
This chapter examines the achievements of Great Britain in medieval musicology during the twentieth century. British universities came to musicology very late and it was only in the 1950s that serious university study of musical history began. The earliest British position specifically denoted as ‘in musicology’ was the Readership awarded to Pierluigi ...
exaly   +3 more sources

Musicology

2020
While most normal hearing listeners can distinguish between music genres, such as between pop, rock, and jazz, and most listeners experience certain associations, moods, and emotions when listening to music from, e.g., movie soundtracks, only few can explain how and why.
Brattico, Elvira; id_orcid 0000-0003-0676-6464, Trusbak Haumann, Niels   +1 more
openaire   +1 more source

Global Musicology

exaly   +2 more sources

Collaboration in computational musicology

Journal of the American Society for Information Science, 1982
AbstractProductivity and collaboration are defined in terms of a 1966 study of a scientific group. These two parameters in a humanistic subject, computational musicology, are compared with the earlier study. The two most collaborative musicologists are also most prolific.
openaire   +1 more source

Californian Musicology

Journal of Musicology, 2012
Craig Russell's book makes important contributions to the study of European music as it was brought to, implemented in, and shaped by the mission communities of Alta California. This field of inquiry by its nature questions received notions of musical historiography, especially as it pertains to the relationship of documentary and ethnographic evidence.
Elisabeth Le Guin, Margaret Cayward
openaire   +1 more source

Computational Evolutionary Musicology

2007
The beginning of Chapter 2 offered a sensible definition of music as temporally organized sound. In the broader sense of this definition, one could arguably state that music is not uniquely human. A number of other animals also seem to have music of some sort. Complex vocalizations can be found in many birds (Marler and Slabbekoorn 2004), as well as in
Miranda, E., Todd, P.
openaire   +2 more sources

Introduction to cognitive musicology

Journal of Musicological Research, 1988
(1989). Introduction to cognitive musicology. Journal of Musicological Research: Vol. 9, No. 1, pp. 1-22.
openaire   +1 more source