Results 81 to 90 of about 51,746 (218)

Boston University Chamber Orchestra, October 1, 2001 [PDF]

open access: yes, 2001
This is the concert program of the Boston University Chamber Orchestra performance on Monday, October 1, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Overture to "Die Geschopfe des Prometheus," Op.
School of Music, Boston University
core  

Using pivots to explore heterogeneous collections: A case study in musicology

open access: yes, 2009
In order to provide a better e-research environment for musicologists, the musicSpace project has partnered with musicology’s leading data publishers, aggregated and enriched their data, and developed a richly featured exploratory search interface to ...
Bretherton, David   +6 more
core  

Open House Student Recital, April 9, 2016 [PDF]

open access: yes, 2016
This is the concert program of the Open House Student Recital on Saturday, April 9, 2016 at 9:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Concertino, Op. 107 by Cecile Chaminade, arranged by Hal Ott, I.
School of Music, Boston University
core  

From “Greater America” to America’s Music: Gilbert Chase and the Historiography of Borders [PDF]

open access: yes, 2019
This essay considers the hotly debated U.S. border and its relationship to music historiography vis-à-vis the unconventional career of Gilbert Chase (1906-92), the first U.S. musicologist to take seriously the music of the Spanish-speaking world.
Hess, Carol A.
core  

Global Music Concert Series: Fendika, October 10, 2012 [PDF]

open access: yes, 2012
This is the concert program of the Global Music Concert Series: Fendika performance on Wednesday, October 10, 2012 at 12:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Perceptual coupling in human dyads: Kinematics does not affect interpersonal synchronization

open access: yesHeliyon
The minimal, essential condition for individuals to interact is that they exchange information via at least one sensory channel. Once informational coupling is established, it enables basic forms of coordinated behavior to spontaneously emerge from the ...
Mattia Rosso   +4 more
doaj   +1 more source

Muir String Quartet, April 20, 2010 [PDF]

open access: yes, 2010
This is the concert program of the Muir String Quartet performance on Tuesday, April 20, 2010 at 7:00 p.m., at the Metcalf Trustee Center, 1 Silber Way, Boston, Massachusetts. Works performed were Quartet in C Minor, op. 18, No. 4, Quartet in F Major, op.
School of Music, Boston University
core  

Boston University Wind Ensemble, October 18, 2001 [PDF]

open access: yes, 2001
This is the concert program of the Boston University Wind Ensemble performance on Thursday, October 18, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
core  

The Role of Embodiment in the Perception of Music

open access: yesEmpirical Musicology Review, 2015
Since its breakthrough at the beginning of the twenty-first century, the embodied music cognition theory has inspired empirical research on the role of actionperception couplings in musical activities.
Marc Leman, Pieter-Jan Maes
doaj   +1 more source

Boston University Chamber Orchestra, March 22, 2001 [PDF]

open access: yes, 2001
This is the concert program of the Boston University Chamber Orchestra performance on Thursday, March 22, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

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