Editorial: Neuroscience and new music: Assessing behavioral and cerebral aspects of its perception, cognition, induction, and entrainment. [PDF]
Front Psychol, 2022 Lundy T, James C, Reybrouck M.
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Mapping interdisciplinary collaboration in music education: analysis of models in higher education across North America, Europe, Oceania, and Asia. [PDF]
Front Psychol, 2023 Zhang G, Sun J, Sun Y.
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Shared mental representations underlie metaphorical sound concepts. [PDF]
Sci Rep, 2023 Rosi V +4 more
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AUTOPSIA DI UN TESORO DI GUERRA: UN’ORCHESTRA MILITARE OTTOMANA
Archeomatica, 2013 Il laboratorio di ricerca del Musée de la Musique, attivo fi n dall’apertura del museo nel 1998, intraprende, da molti anni, una fi tta rete di collaborazioni, in Francia ed oltreconfi ne, con istituzioni ed enti di ricerca. Gli obiettivi sono molteplici,
Philippe Bruguière, Emanuele Marconi
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Perceiving Sound Objects in the Musique Concrète. [PDF]
Front Psychol, 2021 Godøy RI.
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Study of the Unidimensionality of the Subjective Measurement Scale of Schizophrenia Coping Oral Health Profile and Index: SCOOHPI. [PDF]
Behav Sci (Basel), 2022 Hamad M +4 more
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Concerts virtuels au chevet de patients atteints de la COVID-19 : un trio de points de vue. [PDF]
CMAJ, 2021 Ambler M, Wodecki L, Amass T.
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Beyond the boundaries of language: music in Virginia Woolf’s “The String Quartet”
Journal of the Short Story in English, 2008 La musique joue un rôle important dans l’esthétique woolfienne. Pour cette raison la musicalité de sa prose est une préoccupation constante, quoique non toujours bien définie, des études woolfiennes. Woolf elle-même a toujours été fascinée par la musique
Émilie Crapoulet
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L’OPÉRA « JONAS » D’ANATOL VIERU 2. ANALYSE – LE BLOC SONORE
Studia Universitatis Babeş-Bolyai. Musica, 2010 The aim of this text is to analyse the opera Jonas (1976) of the Romanian composer Anatol Vieru. The first part was concentrated on the interpretations of the literary and musical symbols of this opera in the communist political context.
Luana STAN
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