Results 1 to 10 of about 521 (86)

Toru Takemitsu, novembr steps: Oppositions et complémentarités des traditions [PDF]

open access: yesMuzikologija, 2005
(francuski) Dans November Steps (1967) T. Takemitsu démontre des complémentarités d'idées de sources orientales et occidentales. Fondée sur le principe de variations, l'œuvre fait des références au même procédé dans une forme de musique japonaise du ...
Bosseur Jean-Yves
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The interpretation of classical music in Polish and Russian animation as a basis for creative dialogue [PDF]

open access: yesMuzikologija, 2016
Animated musical film, lying at the intersection of the two creative worlds and representing a dialogue between the musician and painter, is a living process of the visual interpretation of the artistic image of a musical work.
Bočkareva Ol'ga Vasil'evna
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Nekaj pogledov Dragotina Cvetka na slovensko glasbo in slovensko muzikologijo

open access: yesDe Musica Disserenda, 2015
Prispevek prinaša nekaj pogledov Dragotina Cvetka na razvoj slovenske glasbe in slovenske muzikologije. Poudarja Cvetkove zasluge za ustanovitev Oddelka za muzikologijo na Univerzi v Ljubljani in Muzikološkega institute na Slovenski akademiji znanosti in
Manica Špendal
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Bulgarian wedding music between folk and chalg: Politics, markets and current directions [PDF]

open access: yesMuzikologija, 2007
This article investigates the performative relationship among folklore, the market, and the state through an analysis of the politics of Bulgarian wedding music.
Silverman Kerol
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How can contemporary opera contribute to the discussion on gender roles? The case of comic-strip opera Alpha [PDF]

open access: yesMuzikologija
Discussions on gender in operatic discourse began gaining traction in the last quarter of the twentieth century with the emergence of feminist opera studies.
Murauskaitė-Juškienė Rasa
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Musical performance as storytelling: Memory, European integration, and the Baltic youth philharmonic оrchestra? [PDF]

open access: yesMuzikologija, 2014
Storytelling has been theorized as a performative, narrative practice, but it has not been employed often as a trope in studies of musical performance.
Ramnarine Tina K.
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Migration and trauma: A Ukrainian composer in Britain, 1946-1977 [PDF]

open access: yesMuzikologija
This study focuses on the composer Stefania Turkevič, who immigrated to Britain after the Second World War (1946), as part of a large group of Ukrainians fleeing Stalin’s repressions.
Romanets Mariia
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Trumpeting through the iron curtain: The breakthrough of jazz in socialist Yugoslavia [PDF]

open access: yesMuzikologija, 2012
During the Cold War, jazz became a powerful propaganda weapon in the battle for “hearts and minds”. As early as the 1950s, the American administration began its Cold War “jazz campaign”, by broadcasting the popular jazz radio show Music USA over
Vučetić Radina
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Vojislav Vučković as a music critic [PDF]

open access: yesMuzikologija
Vojislav Vučković (1910-1942) was the most prominent Serbian musician of Marxist orientation in the interwar period. A composer, conductor, musicologist, music aesthetician, sociologist of music, sociopolitical worker, he was also engaged in ...
Vasić Aleksandar
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Xenakis et le passage vers l'universel [PDF]

open access: yesMuzikologija, 2008
(fra) La recherche de l'identité culturelle, notamment aux pays qui sont menacés ou se sentent menacés par une culture dominante, peut conduire, bien des fois, au nationalisme et l'isolement.
Paparigopulos Kostas
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