Results 131 to 140 of about 287 (145)
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Prince Myshkin Rewritten by Tolstoy, Chekhov and Pasternak

open access: yesProblemy Istoričeskoj Poètiki
The article is devoted to the reinterpretations of the main character of Dostoevsky’s novel “The Idiot” in the novels of Tolstoy and Pasternak (“Resurrection” and “Doctor Zhivago”) and in Chekhov’s short novel “My Life.” At the same time, Tolstoy’s novel is considered as a kind of hybrid hypertext of Dostoevsky’s works (“The Idiot” and “Notes from the ...
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The image of prince Myshkin in Russian cinema

Journal of Flm Arts and Film Studies, 2019
The research is dedicated to the screen adaptations of Fyodor Dostoevskys The Idiot made in Russia in different cultural and historical periods. Films produced from 1910 to 2003 are analyzed in chronological order, with the aim of showing the transformation of the image of Prince Myshkin (Prince Christ), one of the key images of Russian culture1 within
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Don Quixote and Prince Myshkin in Search of Reality

Russian Studies in Literature, 2011
A comparison of Don Quixote and Prince Myshkin concludes that both characters undercut the chivalric ideal through their confusion of dreams with reality and their inability to provide assistance to others even when they try. Other shared themes include madness, death and rebirth, and the failure to distinguish virtue from vice.
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THE SYSTEM OF CRITERIA FOR EVALUATING THE TERRITORY OF A SHOPPING FACILITY IN THE SMALL TOWN OF MYSHKIN

Фундаментальные, прикладные научные исследования и методы: сборник статей международной научной конференции (Сыктывкар, Май 2023), 2023
Для размещения торгового объекта следует проводить оценку территории, на которой планируется проектирование торговой точки. Для территорий в малых городах необходимо ввести определенную систему критериев оценки, специфика которой будет направлена на возможности и особенности малых городов.
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The Gospel Сontext and its Сonnection with the Prince Myshkin in the Novel «The Idiot» by F. M. Dostoevsky

Слово и образ. Вопросы изучения христианского литературного наследия, 2022
Антропоцентризм художественного мира Ф. М. Достоевского, так или иначе связываемый с общим религиозно-философским вектором его исканий, занимает особое место в современных исследованиях творчества писателя. В данной статье осуществляется анализ евангельского контекста романа Достоевского «Идиот». Целью работы является описание смысло- и формообразующих
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Three Levs Nikolaevich: Tolstoy, Myshkin, Odoevtsev: Dostoevsky’s The Idiot in Light of Andrei Bitov’s Pushkin House

The Dostoevsky Journal, 2021
Abstract Exploring the connection between Dostoevsky’s Lev Nikolaevich Myshkin, Bitov’s Lev Nikolaevich Odoevtsev, and Lev Nikolaevich Tolstoy, this article interprets The Idiot through the prism of Pushkin House. The overarching claim is that Bitov’s novel and hero provide deep insight into Dostoevsky’s.
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Myshkin's Million: Merchants, Capitalists, and the Economic Imaginary in The Idiot

The Russian Review, 2018
This paper examines the contribution of Dostoevsky’s The Idiot to the multi‐generic elaboration of an economic imaginary that was taking place in the Russian print media in the era of the Great Reforms. In The Idiot, this imaginary is defined by a struggle between two groups of wealthy men–capitalists like General Epanchin and Totskii on the one hand ...
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FROM MYSHKIN TO MARXISM: THE ROLE OF DOSTOEVSKY RECEPTION IN LUKÁCS'S REVOLUTIONARY ETHICS

Modern Intellectual History, 2017
For European literati of the early twentieth century, Fyodor Dostoevsky represented a mythically Russian spirituality in contrast to a soulless, rationalized West. One such enthusiast was Georg Lukács, who in 1915 began a never-completed book about Dostoevsky's work, a model of spiritual community that could redeem a fallen world.
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THE MYSHKIN―IPPOLIT―ROGOZHIN TRIAD

Canadian-American Slavic Studies, 1983
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