Results 31 to 40 of about 26,665 (268)
The Language of Smell in Vladimir Nabokov’s Mystical Discourse of Prose from His French Period
Quaestio Rossica, 2021 This article focuses on the mystical connotations of the olfactory images in V. Nabokov’s prose from his French period (1937–1940). The authors analyse the connection between Nabokov’s mystical, philosophical, and aesthetic conceptions.
N. Rogacheva, A. Drozdova
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Проблемы исторической поэтики, 2021 The article examines the artistic depiction of vicious passion in Vladimir Nabokov’s Russian-language novels King, Queen, Knave and Camera Obscura. The purpose of this work is to describe the stylistic and narrative mechanisms used by Nabokov to examine ...
Andrey Kotin
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Ruští spisovatelé o umění překladu
Acta Universitatis Carolinae: Philologica, 2020 The paper elaborates on a selection of canonical texts by Mikhail Lomonosov (1711–1765), Alexander Pushkin (1799–1837), and Vladimir Nabokov (1899–1977), reflecting on the art of literary translation.
Stanislav Rubáš
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, 2022 Critical Quarterly, Volume 64, Issue 4, Page 138-154, December 2022.
David Nowell Smith
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Moral Instruction by Bad Example: The First Latin Translations of Theophrastus’ Characters☆
, 2022 Renaissance Studies, Volume 36, Issue 5, Page 668-685, November 2022.
Katie Ebner‐Landy
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Citazione e autotraduzione. Alcuni versi in un romanzo di Vladimir Nabokov [PDF]
Parole Rubate, 2020 In his Preface to the American edition of "Dar", Vladimir Nabokov has maintained that the real heroine of his novel is Russian literature. As is well known, the text is fraught with quotations from other literary works.
Maria Emeliyanova
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Rhetorical Caricature: An Educational Reading of Nabokov's Treatment of Freud
Phenomenology & Practice, 2011 Vladimir Nabokov (1899-1977), Russian-American novelist and lepidopterist, was neither a didactician nor a moralist. His images, which he painted with his words, are deceptive and contradictory. But the strangest thing happens.
Herner Saeverot
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Роль та місце комічної маски-образу в масових формах сценічного мистецтва
Культура України, 2019 Розглянуто комічну маску-образ, яка є інструментом розвитку художніх ідей, мистецтвом імпровізації як найвищого рівня в сценічному мистецтві, засобом виразності. Головні її особливості — канонічність, незмінність у різних обставинах.
R. G. Nabokov
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Biographic Context in V. V. Nabokov’s Novels “Glory” and “Transparent Things”
Научный диалог, 2019 Novels by V. Nabokov “Glory” and “Transparent Things” are considered from the point of view of representation of biographical material in them. The references in these novels to the works of Russian and foreign literature, to the biographies of writers ...
E. G. Nikolayeva
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Korney Chukovsky in Britain [PDF]
, 2011 Korney Chukovsky is a neglected figure in the story of the British reception of Russian literature. This essay attempts to recover his place in the complex networks of translation, criticism, and interpretation in the twentieth century by examining his ...
Vaninskaya, Anna
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