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NARRATIVE AND DISCOURSE

Voprosy Kognitivnoy Lingvistiki, 2022
Ideas of “knowing” and of “being known” are traditionally ascribed to the Latin ‘gnārus’, the commonly recognized etymological source of the Latin ‘nārrō’ which normally meant “I am telling”. A prototypical narrative’s main property is cohesion, because narratives typically present chains of events and/or describe states of affairs which are not ...
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Narrative discourse in anomic aphasia

Neuropsychologia, 2012
Anomic aphasia is a disturbance affecting lexical retrieval. Nonetheless, persons with this disorder may also experience difficulties in the construction of coherent narratives. Whether this symptom is a sign of a macrolinguistic difficulty per se or reflects the lexical disorder is still an open debate.
ANDREETTA, Sara   +2 more
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NARRATIVE AND HISTORICAL DISCOURSE

Keruen, 2023
Lot of research has been done in literary studies around the problem of narrative and the narrator. The category of narrative is very complex, varied, and the ways it is conveyed in the fiction text are different. The concept of narratology is closely related to the activity of telling a story in a fiction text. Scholars in the study of narratology pay
A.M. Zhakulayev   +2 more
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Historical Discourse and Narrativity

Poetics Today, 2021
AbstractMost theorists of history now seem to regard narrative as the only discursive model on which historians rely to make sense of the past. The structure of many works in current historiographic production, however, is not that of a narrative as defined in literary theory. The histories of World War II discussed here, for example, do not all tell a
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Discourse Markers in Oral Narrative

Journal of Pragmatics, 2001
This chapter seeks to demonstrate that well and but function as a special sort of discourse marker (DM) in oral narratives, and that their functions within the oral narrative context follow neither from their usual meanings nor from their usual DM functions in other contexts.
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Narrative Discourse, Literary History

2021
Abstract Scene and summary: these are the two primary units whose development and transformation guide the course of this study. This chapter examines their value as registers of pace, and it argues that they are truly valuable insofar as they are examined diachronically across literary history.
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