Results 241 to 250 of about 1,082,029 (301)
From self-narration to a worldview: a phenomenological, narratological, and linguistic case study of a patient with a complex clinical picture of bipolar disorder. [PDF]
Front PsychiatryOblak A +10 more
europepmc +1 more source
Epistemic limits of local interpretability in self-modulating cognitive architectures. [PDF]
Front Artif IntellMahrouk A.
europepmc +1 more source
Grandad forgot my name: interactive narratives for dementia support. [PDF]
Prim Health Care Res DevWilliams R +3 more
europepmc +1 more source
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2018
After a discussion of the most important thought about narrative closure and ethics, this chapter goes on to explore one sort of ending—the frame shifter—that was a feature of many episodes of the television series The Twilight Zone. Ethical critics have tended to assume that closed endings are nearly always ethically inferior to open endings.
Jeremy G. Butler, Amanda D. Lotz
+5 more sources
After a discussion of the most important thought about narrative closure and ethics, this chapter goes on to explore one sort of ending—the frame shifter—that was a feature of many episodes of the television series The Twilight Zone. Ethical critics have tended to assume that closed endings are nearly always ethically inferior to open endings.
Jeremy G. Butler, Amanda D. Lotz
+5 more sources
Narrative Ethics, Narrative Structure
Hastings Center Report, 2014AbstractBy 1999, when Atul Gawande's essay “Whose Body Is It, Anyway?” appeared in The New Yorker, patient autonomy had largely trumped physician paternalism in American medical practice. Gawande uses the stories of actual patients to attempt his counter case for physicians' “talking patients through their decisions.” Toward the end of his essay ...
openaire +2 more sources
2017
This chapter is concerned with the narrative structure of Ari Folman's Waltz with Bashir. It reflects on the differences between Waltz with Bashir's story and plot, as defined by David Bordwell and Kristin Thompson in their seminal text Film Art: An Introduction and looks at how information is revealed to the audience. It also looks at the ten animated
openaire +2 more sources
This chapter is concerned with the narrative structure of Ari Folman's Waltz with Bashir. It reflects on the differences between Waltz with Bashir's story and plot, as defined by David Bordwell and Kristin Thompson in their seminal text Film Art: An Introduction and looks at how information is revealed to the audience. It also looks at the ten animated
openaire +2 more sources