Results 191 to 200 of about 170,293 (309)

Sexual Ethics: Reaction and Critque [PDF]

, 1976
Curran, Charles E.
core   +1 more source

Forgive, Because You Were Forgiven

Philosophy and Phenomenological Research, EarlyView.
ABSTRACT Philosophical orthodoxy has it that forgiveness is always discretionary—a gift we are free to extend to those who wrong us, but one that we are never morally required to offer. I dispute this orthodoxy, arguing that forgiveness is sometimes obligatory, even though wrongdoers can never demand or otherwise extract it from us.
Abraham Mathew
wiley   +1 more source

Eutrapelia and Video Games: Moral Risks With Playing Video Games as a Form of Eutrapelia. [PDF]

Linacre Q
McKenna M.
europepmc   +1 more source

Authority in the Church [PDF]

, 1976
Nostbakken, Roger W.
core   +1 more source

Argumentatively Navigating Deep Disagreements

Philosophy and Phenomenological Research, EarlyView.
ABSTRACT When disagreements cut deep, epistemic agents face a predicament. Although disagreements have been widely hailed for their epistemic benefits, deep disagreements are often plagued with argumentative hurdles preventing the attainment of such epistemic goods.
Jordi Fairhurst
wiley   +1 more source

Research theme mapping and future directions on corruption and religion: a bibliometric analysis. [PDF]

Front Sociol
Salahudin, Taqwa Sihidi I, Roziqin A, Dwi Cahyani T, Karinda K, Firdaus M, Baharuddin T.   +6 more
europepmc   +1 more source

From Everyman to Hamlet: A Distant Reading

Renaissance Studies, EarlyView.
Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
wiley   +1 more source

Mobilising Zionist and philo-Semitic sentiments through melodrama: Brazilian biblical telenovelas in the production of a neo-Pentecostal political culture. [PDF]

Relig State Soc
Carpenedo M.
europepmc   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

Renaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

A harmless and flavorful smoke? Young adults' use of e-cigarettes in developing countries. [PDF]

Int J Cardiol Cardiovasc Risk Prev
Cordero DA.
europepmc   +1 more source