Results 31 to 40 of about 318,717 (109)

“The pale trees shook, although no wind blew, and it seemed to Tristran that they shook in anger”:
“blind space” and ecofeminism in a post-colonial reading of Neil Gaiman and Charles Vess’s graphic novel Stardust (1998)

Barnboken: Tidskrift för Barnlitteraturforskning, 2012
This article calls on two branches of third-wave feminist theory – ecofeminism and post-colonial feminism – to investigate human and nonhuman interrelations in Neil Gaiman’s young adult graphic novel, Stardust, illustrated by Charles Vess.
Alice Curry
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Gaiman, Neil

, 2006
A brief description of the main characteristics of the works for children of the British author Neil Gaiman, the themes he privileges in his stories, the way he portrays children and the relationship between children and ...
GRILLI, GIORGIA
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The Role of Intertextuality in Neil Gaiman’s American Gods [PDF]

Cultural Intertexts, 2015
The American cultural identity and the essence of modern America are concepts difficult to describe and define. Neil Gaiman, a highly acclaimed British writer, tried to capture, in his award-winning novel, American Gods, the “real” America, and its ...
Irina RAȚĂ
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Divine Parody: Ridiculing America’s Spiritual Crisis in Neil Gaiman’s American Gods

Journal of Language and Literature, 2022
One of the reasons for modern man's mental disorders is a spiritual crisis. In American Gods, Neil Gaiman ridicules this condition by reviving religious, folklore, and mythological entities into new contexts.
Ahmad Wildan Rizaq, Eka Nurcahyani
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Sons of Lilith: The Portrayal and Characterization of Women in the Apocryphal Comics of Neil Gaiman, Alan Moore, and Grant Morrison

Corpus Mundi, 2020
This paper examines the treatment and characterization of women, sex, identity, and gender in the lesser known or studied comics of Alan Moore, Neil Gaiman, and Grant Morrison in order to discern what such an analysis tells us about each author's ...
Kwasu Tembo
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Neil Gaiman’s Use of Antiquity in Television Series: American Gods and Calliope

Clotho, 2023
American Gods (Starz 2017–2021) and The Sandman (Netflix 2022– ), two highly watchable audiovisual series are adaptations of Neil Gaiman’s popular novel (2001) and of his earlier comic book series (1989–1996).
Elżbieta Olechowska, Marta Pszczolińska   +1 more
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Watching (through) the Watchmen: Representation and Deconstruction of the Controlling Gaze in Neil Gaiman’s The Sandman

Altre Modernità, 2014
Two of the most widely represented and recognisable cultural examples of the gaze that spies are the supernatural and/or divine eye, which in religious, mythical and tragic narratives seeks and punishes those who misbehave, and on the other hand the ...
Daniele Croci
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Old Made New: Neil Gaiman\u27s Storytelling in The Sandman [PDF]

, 2011
An exploration of the narrative and storytelling of Neil Gaiman in his DC Comics series, The ...
Reilly, Sara
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Os "novos" contos de fadas: tradição e inovação em A Bela e a Adormecida, de Gaiman e Riddell

Ilha do Desterro, 2018
Neste artigo, investigamos a tradição e a inovação na obra A Bela e a Adormecida por meio da análise da construção da narrativa, considerando o importante papel do projeto gráfico e das ilustrações.
Marta Passos Pinheiro, Sabrina Ramos Gomes   +1 more
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The Sandman di Neil Gaiman: Letteratura disegnata [PDF]

, 2014
Breve analisi di The Sandman di Neil Gaiman, opera ricca e complessa dal punto di vista grafico come da quello narrativo, in grado quindi di rappresentare al meglio sia la poetica dell'autore che le potenzialità del graphic novel come forma di ...
PELLICCIOTTA, SILVIA
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