Results 41 to 50 of about 318,717 (109)

Aproximaciones ACA-FAN al universo transmedia de Neil Gaiman: creación y desarrollo de un sello propio

, 2020
Neil Gaiman es uno de los escritores ingleses de literatura fantástica más galardonado en los últimos treinta años. Su escritura engloba tanto la novela, el relato corto, el cómic y el álbum ilustrado, radionovelas, cine o series de televisión. Desde sus
Rovira-Collado, José, Rovira Collado, Joan Miquel   +1 more
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Parution : Neil Gaiman

, 2018
 Cyril Camus, Mythe et fabulation dans la fiction fantastique et merveilleuse de Neil GaimanPresses Universitaires de Rennes, 2018 Présentation de l'éditeur : Les œuvres de Neil Gaiman sont souvent qualifiées de postmodernes dans la mesure où elles ...
Anne Besson
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O insólito em Stardust: análise intermidiática = The uncanny in Stardust: intermidiatic analysis = Lo insólito en Stardust: análisis intermediales

Letras de Hoje, 2020
Este trabalho discute alguns aspectos relacionados ao insólito para a adaptação do romance Stardust, de Neil Gaiman para uma obra cinematográfica. Utiliza-se aqui o trabalho de Linda Hutcheon sobre teoria da adaptação para averiguar os aspectos de ...
Almeida, Rogério Caetano de
doaj  

Aesthetic Universals in Neil Gaiman’s Post-Postmodern Mythmaking

Prague Journal of English Studies, 2019
Aesthetic theory, as reflected in both contemporary cognitive (Patrick Colm Hogan) and more traditional structuralist criticism (H.G. Widdowson), points to the dynamics between familiarity and surprise as the driving force behind the pleasure we derive ...
Čipkár Ivan
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Recycled Images as Layers of Meaning in Picture Books

Interfaces, 2019
Kress and van Leeuwen showed that the visual could be considered as a semiotic mode, and developed a systemic-functional model of visual meaning. Drawing on Painter’s, Martin’s and Unsworth’s adaptation of their model to picture books, and on Panofsky ...
Isabelle Gras
doaj   +1 more source

Memory and Identity in The Ocean at the End of the Lane by Neil Gaiman [PDF]

Cultural Intertexts, 2017
In his novel The Ocean at the End of the Lane (2013), Neil Gaiman has succeeded in telling another spellbinding ―fairy-tale‖ for adults. It is unique among Gaiman‘s novels, as it features a child protagonist and his specific worldview.
Irina RAȚĂ
doaj  

The Good, the Evil, and the Morally Ambiguous

Acta Neophilologica
In their postmodern fantasy novel Good Omens, Terry Pratchett and Neil Gaiman create a compelling case for a combination of good and evil in all their characters, but one character is of particular interest: the Demon Crowley. Moral ambiguity marks both
Amy Kennedy
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I am nobody: fantasy and identity in Neil Gaiman’s "The Graveyard Book"

Journal of English Studies, 2015
With the popularity of fantasy literature in recent years, more and more writers of adolescent books shifted their attention to depicting the macabre and the bizarre.
Tsung Chi Chang
doaj   +1 more source

Tensão histórica e forma narrativa no romance American Gods, de Neil Gaiman

Revista de Estudos Literários da UEMS - REVELL, 2020
O romance fantástico American Gods (2001), de Neil Gaiman, se propõe a articular os elementos extrarrealistas típicos do seu gênero em conjunção ao retrato da realidade material.
Eduardo de Faria Carniel, Marcos César de Paula Soares   +1 more
doaj  

Gothic London: On the Capital of Urban Fantasy in Neil Gaiman, China Miéville and Peter Ackroyd

Brumal: Revista de Investigación sobre lo Fantástico, 2017
There are good reasons to call London the capital of urban fantasy. Like no other city it embodies an intertwinedness of enlightenment and modernity with notions of the occult, the mythical and the magical. The idea of an urban underworld that somehow is
Arno Meteling
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