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Reseña de "Neo-Baroque Aesthetics and Contemporary Entertainment" de Angela Ndalianis

Anales del Instituto de Investigaciones Estéticas, 2012
Peter Krieger
doaj  

El héroe barroco contemporáneo de "El pintor de batallas" [PDF]

, 2011
Vangipurapu, I. (Ira)
core  

Co-designing senior co-housing: the collaborative process of Featherstone Lodge [PDF]

, 2015
Fernández Arrigoitia, Melissa, Scanlon, Kathleen   +1 more
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Neo-Baroque: A sign of the times

History of European Ideas, 1995
(1995). Neo-Baroque: A sign of the times. History of European Ideas: Vol. 21, No. 2, pp. 271-280.
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Neo-Baroque Aesthetics and Contemporary Entertainment

2004
A1 - Authored Research Books ; Tracing the logic of media history, from the baroque to the neo-baroque, from magic lanterns and automata to film and computer games. The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque ...
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Steven Cohen, Nandipha Mntambo: Neo-Baroque Hybrid Forms

Nka Journal of Contemporary African Art, 2014
This research investigates the Neo-Baroque aesthetic of excess in contemporary South African art and explores reasons for the emergence of this style. The artists’ exploitation of the Neo-Baroque aesthetic of excess as a comment on social concerns reveals a sense of crisis within South African society, similar to the conditions from which the ...
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Tangled between paradigms in the neo-baroque era

Archaeological Dialogues, 2016
AbstractThe underlying notion for this article is that archaeology requires an amalgamation of humanities and science, and of narrative and scientific knowledge. The need for this fusion has arisen in a context in which contemporary society is experiencing major changes in epistemics, aesthetics and fashion; an increase in virtual experiences; and an ...
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Leonard Cohen and the Neo-Baroque Perspective

2019
From the perspective of a Latin American reader, the article approaches Leonard Cohen's poetic universe through the concept of the Neo-Baroque as proposed by the Cuban writer, Severo Sarduy in dialogue with the idea of fold as presented by Gilles Deleuze. The main point of the paper is to propose that the Neo-Baroque perspective may work as a method of
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