Results 191 to 200 of about 212,539 (241)
Some of the next articles are maybe not open access.
Bones, Blood, Wax, and Papal Potencies: Neo-Baroque Relics in Mexico
Material Religion, 2021In Mexico the dispatching of relics—body parts, skin, blood, or other personal objects with saintly residue—has become relatively commonplace. With a focus on the 2011 tour of the wax effigy and relics of Pope John Paul II, this essay draws on recent ...
Kristin Norget
semanticscholar +1 more source
Revista Água Viva, 2022
Este artigo tem como objetivo principal apresentar uma leitura paródica da obra obscena Contos d’escárnio. Textos grotescos, da escritora paulista Hilda Hilst, publicada em 1992. Para tanto, definimos paródia, a partir de Linda Hutcheon, em função de seu
Paulo Henrique Pergher
semanticscholar +1 more source
Este artigo tem como objetivo principal apresentar uma leitura paródica da obra obscena Contos d’escárnio. Textos grotescos, da escritora paulista Hilda Hilst, publicada em 1992. Para tanto, definimos paródia, a partir de Linda Hutcheon, em função de seu
Paulo Henrique Pergher
semanticscholar +1 more source
Towards a Contaminated History of the Present: Contributions from the Latin American Neo/Baroque
TransmodernityThis essay examines the Latin American Baroque and neo-Baroque as critical frameworks for engaging with Michel Foucault's concept of the history of the present.
Ana Grondona
semanticscholar +1 more source
Going (Neo)Baroque the Foreman Way: A Case Study of Panic! (How To Be Happy!)
Roczniki HumanistycznePanic! (How to Be Happy!), Foreman’s 2003 theatrical “piece,” written, directed and designed by the playwright himself, tests the conventional limits imposed by both the characters’ bodies and the very structure of the theatrical stage.
Agnieszka Matysiak
semanticscholar +1 more source
Филология научные исследования
The works of the famous Brazilian literary critic Irlemar Chiampi have been chosen as the object of scientific consideration. The subject of the study is the periodization of Latin American Baroque concepts proposed by I. Chiampi.
Dmitrii Igorevich Peshkov
semanticscholar +1 more source
The works of the famous Brazilian literary critic Irlemar Chiampi have been chosen as the object of scientific consideration. The subject of the study is the periodization of Latin American Baroque concepts proposed by I. Chiampi.
Dmitrii Igorevich Peshkov
semanticscholar +1 more source
The ‘(Neo-)Baroque’ and English Culture: A Categorization and Its Discontents
Anglia. Zeitschrift für englische PhilologieThe ‘(neo-)baroque’ as a term designates an epoch, a style and whatnot. It has been used to describe literature, music, painting, architecture, and the arts and culture in general.
Andreas Mahler
semanticscholar +1 more source
WORK WITH METAREALISM/NEO-BAROQUE POETIC TEXTS IN THE RUSSIAN AS A FOREIGN LANGUAGE CLASSROOM
Current issues of the Russian language teaching XIV, 2020Based on key aspects of the analysis and interpretation of the poem Rural Cemetery (???????? ????????) by one of the main representatives of metarealism Alexei Parshchikov, the concept of Literary-interpretive seminar for university students of Russian ...
Andrea Grominová
semanticscholar +1 more source
Neo-Baroque: A sign of the times
History of European Ideas, 1995(1995). Neo-Baroque: A sign of the times. History of European Ideas: Vol. 21, No. 2, pp. 271-280.
openaire +1 more source
Neo-Baroque Aesthetics and Contemporary Entertainment
2004A1 - Authored Research Books ; Tracing the logic of media history, from the baroque to the neo-baroque, from magic lanterns and automata to film and computer games. The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque ...
openaire +2 more sources
Steven Cohen, Nandipha Mntambo: Neo-Baroque Hybrid Forms
Nka Journal of Contemporary African Art, 2014This research investigates the Neo-Baroque aesthetic of excess in contemporary South African art and explores reasons for the emergence of this style. The artists’ exploitation of the Neo-Baroque aesthetic of excess as a comment on social concerns reveals a sense of crisis within South African society, similar to the conditions from which the ...
openaire +1 more source

