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Bones, Blood, Wax, and Papal Potencies: Neo-Baroque Relics in Mexico

Material Religion, 2021
In Mexico the dispatching of relics—body parts, skin, blood, or other personal objects with saintly residue—has become relatively commonplace. With a focus on the 2011 tour of the wax effigy and relics of Pope John Paul II, this essay draws on recent ...
Kristin Norget
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TO SAVE YOURSELF THROUGH LAUGHTER: A PARODIC AND NEO-BAROQUE READING OF CONTOS D’ESCÁRNIO. TEXTOS GROTESCOS, BY HILDA HILST

Revista Água Viva, 2022
Este artigo tem como objetivo principal apresentar uma leitura paródica da obra obscena Contos d’escárnio. Textos grotescos, da escritora paulista Hilda Hilst, publicada em 1992. Para tanto, definimos paródia, a partir de Linda Hutcheon, em função de seu
Paulo Henrique Pergher
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Towards a Contaminated History of the Present: Contributions from the Latin American Neo/Baroque

Transmodernity
This essay examines the Latin American Baroque and neo-Baroque as critical frameworks for engaging with Michel Foucault's concept of the history of the present.
Ana Grondona
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Going (Neo)Baroque the Foreman Way: A Case Study of Panic! (How To Be Happy!)

Roczniki Humanistyczne
Panic! (How to Be Happy!), Foreman’s 2003 theatrical “piece,” written, directed and designed by the playwright himself, tests the conventional limits imposed by both the characters’ bodies and the very structure of the theatrical stage.
Agnieszka Matysiak
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The problem of periodization of Baroque and neo-Baroque concepts in Latin American Literary philosophy of the turn of the Millennium (using the example of Irlemar Chiampi's works)

Филология научные исследования
The works of the famous Brazilian literary critic Irlemar Chiampi have been chosen as the object of scientific consideration. The subject of the study is the periodization of Latin American Baroque concepts proposed by I. Chiampi.
Dmitrii Igorevich Peshkov
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The ‘(Neo-)Baroque’ and English Culture: A Categorization and Its Discontents

Anglia. Zeitschrift für englische Philologie
The ‘(neo-)baroque’ as a term designates an epoch, a style and whatnot. It has been used to describe literature, music, painting, architecture, and the arts and culture in general.
Andreas Mahler
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WORK WITH METAREALISM/NEO-BAROQUE POETIC TEXTS IN THE RUSSIAN AS A FOREIGN LANGUAGE CLASSROOM

Current issues of the Russian language teaching XIV, 2020
Based on key aspects of the analysis and interpretation of the poem Rural Cemetery (???????? ????????) by one of the main representatives of metarealism Alexei Parshchikov, the concept of Literary-interpretive seminar for university students of Russian ...
Andrea Grominová
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Neo-Baroque: A sign of the times

History of European Ideas, 1995
(1995). Neo-Baroque: A sign of the times. History of European Ideas: Vol. 21, No. 2, pp. 271-280.
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Neo-Baroque Aesthetics and Contemporary Entertainment

2004
A1 - Authored Research Books ; Tracing the logic of media history, from the baroque to the neo-baroque, from magic lanterns and automata to film and computer games. The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque ...
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Steven Cohen, Nandipha Mntambo: Neo-Baroque Hybrid Forms

Nka Journal of Contemporary African Art, 2014
This research investigates the Neo-Baroque aesthetic of excess in contemporary South African art and explores reasons for the emergence of this style. The artists’ exploitation of the Neo-Baroque aesthetic of excess as a comment on social concerns reveals a sense of crisis within South African society, similar to the conditions from which the ...
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