Results 211 to 220 of about 209,628 (254)
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Penny Dreadful from Neo-Victorian to Neo-Baroque
2018The analytical framework of the fourth chapter consists in an association between Baroque (and neo-Baroque) and neo-Victorianism. Like Baroque poetics, neo-Victorian culture is focused on the notion of ‘transgression’, ‘excess’ and ‘deviance’ from norms and limits.
Saverio Tomaiuolo
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Sally Potter's "Orlando" and the Neo-Baroque Scopic Regime
Freely adapted from Virginia Woolf's novel Orlando: A Biography (1928),2 Sally Potter's Orlando (1992)3 offers a postmodern/neo-baroque rereading of a transhistorical story where freedom of imagination combines with the memory system of our history of ideas.
Cristina Degli-Esposti
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Utopian Habsburg, World Fairs and the Neo-Baroque: Political Imagination as Spatial Play
Austrian Studies, 2022:What do utopian novels around 1900, the Paris World Fair of 1900 and Austrian neo-baroque architecture have in common? They propose deployments of and mediations between society and history, between a plural world and its diversity, which can be read as
Clemens Peck
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NEO-BAROQUE ELEMENTS OF YURY BUIDA’S POETICS
Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies, 2021The article analyzes the neo-baroque elements in the work of the writer Yury Buida, considers the concepts of neo-Baroque (Benjamin, Deleuze, Calabrese, Lipovetsky), as well as the relationships between Baroque and neo-Baroque in postmodern poetics.
Thomas Cenis
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Revista Água Viva, 2022
Este artigo tem como objetivo principal apresentar uma leitura paródica da obra obscena Contos d’escárnio. Textos grotescos, da escritora paulista Hilda Hilst, publicada em 1992. Para tanto, definimos paródia, a partir de Linda Hutcheon, em função de seu
Paulo Henrique Pergher
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Este artigo tem como objetivo principal apresentar uma leitura paródica da obra obscena Contos d’escárnio. Textos grotescos, da escritora paulista Hilda Hilst, publicada em 1992. Para tanto, definimos paródia, a partir de Linda Hutcheon, em função de seu
Paulo Henrique Pergher
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Bones, Blood, Wax, and Papal Potencies: Neo-Baroque Relics in Mexico
Material Religion, 2021In Mexico the dispatching of relics—body parts, skin, blood, or other personal objects with saintly residue—has become relatively commonplace. With a focus on the 2011 tour of the wax effigy and relics of Pope John Paul II, this essay draws on recent ...
Kristin Norget
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WORK WITH METAREALISM/NEO-BAROQUE POETIC TEXTS IN THE RUSSIAN AS A FOREIGN LANGUAGE CLASSROOM
Current issues of the Russian language teaching XIV, 2020Based on key aspects of the analysis and interpretation of the poem Rural Cemetery (???????? ????????) by one of the main representatives of metarealism Alexei Parshchikov, the concept of Literary-interpretive seminar for university students of Russian ...
Andrea Grominová
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The ‘(Neo-)Baroque’ and English Culture: A Categorization and Its Discontents
Anglia. Zeitschrift für englische PhilologieThe ‘(neo-)baroque’ as a term designates an epoch, a style and whatnot. It has been used to describe literature, music, painting, architecture, and the arts and culture in general.
Andreas Mahler
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Neo-Baroque: A sign of the times
History of European Ideas, 1995(1995). Neo-Baroque: A sign of the times. History of European Ideas: Vol. 21, No. 2, pp. 271-280.
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Neo-Baroque Aesthetics and Contemporary Entertainment
2004A1 - Authored Research Books ; Tracing the logic of media history, from the baroque to the neo-baroque, from magic lanterns and automata to film and computer games. The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque ...
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