Results 41 to 50 of about 1,317,226 (88)

Non tamen indignum Borgaei dicere laudes/ Caesaris… (T. Strozzi, Serm. 1, 120-1): L’éloge épique de César Borgia dans l’œuvre d’Ercole Strozzi (Ferrare 1474 ?-1508): Venatio (1498 TPQ- 1505 TAQ), Borgeti canis epicedium, Caesaris Borgiae ducis epicedium..

open access: yesScripta: Revista Internacional de Literatura i Cultura Medieval i Moderna, 2017
Résumé: La poésie hexamétrique d’E. Strozzi, poète néolatin fort prisé pour sa maîtrise de la versification et son innutrition achevée des sources latines, offre deux apologies de César Borgia.
Béatrice Charlet-Mesdjian   +1 more
doaj   +1 more source

Neo-Latin News [PDF]

open access: yes, 2016
Neo-Latin News Vol. 64, Nos. 3 & 4. Jointly with SCN. NLN is the offcial publication of the American Association for Neo-Latin Studies. Edited by Craig Kallendorf, Texas A&M University; Western European Editor: Gilbert Tournoy, Leuven; Eastern European ...
Kallendorf, Craig
core  

Gottlieb Siegfried Bayer and Classical Latin Poetry in Scholarly Debate on Early History of Ancient Rus

open access: yesНаучный диалог
This article is dedicated to a stylistic feature of 17th-century scholarly texts, namely the incorporation of poetic quotations into polemical scientific discourse, which enhances the expressiveness of evaluations concerning opponents and their concepts.
S. O. Goryaev, E. S. Ryabtseva
doaj   +1 more source

”Astrilds wäsend/ Fröije slögder”

open access: yesTidskrift för Litteraturvetenskap, 2012
Swedish Epithalamia of the 17th and 18th Centuries The background is my new book, Svensk bröllopsdiktning under 1600- och 1700-talen. Renässansrepertoarernas framväxt, blomstring och tillbakagång (Swedish Epithalamia of the 17th and 18th Centuries ...
Stina Hansson
doaj   +1 more source

The Theory and Practice of Imitation in the (Polyphonic?) Dido-tragedy by Nicodemus Frischlin1

open access: yesHungarian Studies Yearbook
In my study I will be focusing on the text transformation technique in the tragedy Dido by Nicodemus Frischlin (1547–1590) German Neo-Latin poet, this author’s first imitational drama was published in 1581 in Tübingen.
Posta Anna
doaj   +1 more source

Elegy on a threshold. Classical heritage of the paraklausithyron motif in the Renaissance elegiac poetry (usque ad Ioannem Cochanovium)

open access: yesPoznańskie Studia Polonistyczne. Seria Literacka, 2011
Paraklausithyron — a lover’s lament at the closed door of the beloved, desiring entry, is a very old literary and musical motif, deriving from the archaic genre of komos, characteristic for Greek comedy. Paraklausithyron was successfully adopted by Roman
Grażyna Urban-Godziek
doaj   +1 more source

Acta Conventus Neo-Latini Monasteriensis : Proceedings of the Fifteenth International Congress of Neo-Latin Studies (Münster 2012) /

open access: yes
Since 1971, the International Congress for Neo-Latin Studies has been organised every three years in various cities in Europe and North America.
Steiner-Weber, Astrid.   +2 more
core   +1 more source

Dulces ante omnia Musae : essays on Neo-Latin poetry in honour of Dirk Sacré /

open access: yes, 2021
Dulces ante omnia Musae. Essays on Neo-Latin Poetry in Honour of Dirk Sacré is the very first collection of articles ever to be published about the fascinating phenomenon of Neo-Latin verse composition from its very beginning in Italian Renaissance ...
Sacré, Dirk(viaf)27095226hnr   +3 more
core  

Espedienti tipografici ed esperimenti metrici umanistici

open access: yesTicontre: Teoria Testo Traduzione, 2019
Tra XV e XVI secolo, la produzione poetica sperimentale neolatina in Italia visse una spinta verso forme figurali e quasi enigmistiche. Come dimostrato da G. Pozzi, diversi autori si dilettarono nella composizione di carmina figurata, versi reticolati e
Stefano Cassini
doaj   +1 more source

Hollého's translation work and its reflection in the epic Svatopluk [PDF]

open access: yesSlovenska Literatura, 1998
In literary-historical evaluation of the poetry of Ján Hollý literary critics focused first of all on his original oeuvre. His translations drew much less or even marginal attention.
Eva Fordinálová
doaj  

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