Results 101 to 110 of about 266 (145)
Integrated Spectroscopic Analysis of Wild Beers: Molecular Composition and Antioxidant Properties. [PDF]
Gerginova D +6 more
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Greek neo-noir : reflecting a narrative of crisis
Fotiou, Mikela, Fessas, Nikitas
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2016
The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and contributing to global neo-noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of
Esther Yau, Tony Williams
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The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and contributing to global neo-noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of
Esther Yau, Tony Williams
openaire +3 more sources
Journal of Adaptation in Film & Performance, 2012
At the time of its release Frogs for Snakes (1999), written and directed by Amos Poe, was criticized for its alleged formalism and gratuitous violence and some facile digs at Tarantino’s Pulp Fiction. Redressing these predominantly negative assessments, the present article views Poe’s overtly theatrical crime movie as a neo-noir parody which joins a ...
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At the time of its release Frogs for Snakes (1999), written and directed by Amos Poe, was criticized for its alleged formalism and gratuitous violence and some facile digs at Tarantino’s Pulp Fiction. Redressing these predominantly negative assessments, the present article views Poe’s overtly theatrical crime movie as a neo-noir parody which joins a ...
openaire +3 more sources
2010
In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994).
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In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994).
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2012
Als bedeutender Teil der Filmgeschichte prägt die Stilrichtung des „Film noir“ Filme bis in die heutige Zeit. Da der Film „Touch of Evil“ von Orson Welles aus dem Jahre 1958 offiziell als letzter Film noir angesehen wird, werden moderne Produktionen nicht mehr mit diesem Namen betitelt.
openaire +1 more source
Als bedeutender Teil der Filmgeschichte prägt die Stilrichtung des „Film noir“ Filme bis in die heutige Zeit. Da der Film „Touch of Evil“ von Orson Welles aus dem Jahre 1958 offiziell als letzter Film noir angesehen wird, werden moderne Produktionen nicht mehr mit diesem Namen betitelt.
openaire +1 more source

