Results 31 to 40 of about 266 (145)

Transcultural Appropriation and Aesthetic Breakthrough of Hollywood Film Noir in Contemporary Taiwan Suspense Thriller Films: A Case Study of Who Killed Cock Robin (2017)

open access: yesArts
The production of suspense thriller films has recently surged in Taiwan. These films adopt narrative techniques and visual aesthetics reminiscent of classic and neo-noir Hollywood cinema but also address social issues in Taiwan and represent ...
Xinchen Zhu
doaj   +1 more source

Policing as Un‐Breathing and Geographies of Black Breathing in Europe

open access: yesAntipode, Volume 58, Issue 2, March 2026.
Abstract The nexus of racism and policing has gained much political attention in Europe since the 2020 mass protests that followed the uprisings after the murder of George Floyd in the US. While many protestors signalled solidarity with policed subjects in the US, they also emphasised the role of state violence “at home”.
Vanessa E. Thompson
wiley   +1 more source

The Sociology of Exclusion: A Knowledge Synthesis of Imperialism, Colonialism, and Postcolonialism in Accounting Research*

open access: yesAccounting Perspectives, Volume 24, Issue 2, Page 469-515, June 2025.
ABSTRACT The ways in which accountancy (accounting, accountability, and accountants) has been a device of imperialism, colonialism, and postcolonialism, and therefore has had deleterious effects on Indigenous peoples in former colonies and continues to negatively impact immigrants in postcolonial OECD countries, is under‐researched.
Akolisa Ufodike
wiley   +1 more source

Pesimist gerçekçilik ya da teknolojinin amansız tahakkümü: Tech-noir

open access: yesARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi
Tür, geçmişten bugüne değin şiirden resme, tiyatrodan sinemaya kadar uzanan sanatsal ürünlerin sınıflandırılmasında kullanılagelmiş bir kavramdır.
Ece Erol
doaj   +1 more source

A femme fatale em Ela e outras mulheres (2006) de Rubem Fonseca e em O lobo atrás da porta (2013) de Fernando Coimbra

open access: yesRebeca
Partindo da figura da femme fatale, o presente trabalho pretende analisar o modo como o conto Belinha de Rubem Fonseca, e o filme O lobo atrás da porta (2013), realizado por Fernando Coimbra, inspiram-se nesta personagem essencial do film noir. Para tal,
André Francisco
doaj   +1 more source

Re-building the Idea of Being a Woman. The Audiovisual Legacy of Lila Crane

open access: yesCommunication & Society (Formerly Comunicación y Sociedad), 2019
This article gives a historical perspective on the route traced by women investigators in Hollywood audiovisual narrative. The starting point and main focus of the thrilling detective story at the heart of the enigma regarding being a woman is the ...
Laura Antón-Sánchez
doaj   +1 more source

Sin City:

open access: yesHistória, Histórias, 2016
Este artigo parte do filme Sin City: A cidade do pecado (Robert Rodriguez e Frank Miller, 2005) para analisar o conceito de noir. A hipótese aqui é de que o noir é um (sub)gênero cinematográfico/literário construído a posteriori, fruto de múltiplas e ...
Adérito Schneider
doaj  

“The Dude Abides”: How "The Big Lebowski" Bowled Its Way from a Box Office Bomb to Nation-Wide Fests

open access: yesText Matters, 2012
Since Blood Simple, the first film they wrote and directed together, the Coen Brothers have been working their way up in the film world and, in spite of their outside-the-mainstream taste for the noir and the surreal, have earned a number of prestigious ...
Katarzyna Małecka
doaj   +1 more source

Belleville Noir in Twenty-first Century Cinema: Adaptation and Innovation

open access: yesEssays in French Literature and Culture, 2019
The focus of this article is on the representation of the inner Parisian quartier of Belleville in three twenty-first century films neo- noirs, through a study of their use of setting and location.
Carolyn Stott
doaj  

From Noir to Neo-Noir

open access: yesM/C Journal
Though the ‘official’ film noir period ended more than 60 years ago, the enigmatic allure of noir endures, lingering like the smoke from a femme fatale’s cigarette. IMDB defines the classic film noir period of American cinema as beginning with the film Underworld (1927) and ending with Touch of Evil (1958), while many consider that John Houston’s The ...
Rebekah Brammer   +2 more
openaire   +1 more source

Home - About - Disclaimer - Privacy