Results 1 to 10 of about 20,512 (210)
“The Dude Abides”: How "The Big Lebowski" Bowled Its Way from a Box Office Bomb to Nation-Wide Fests [PDF]
Text Matters, 2012 Since Blood Simple, the first film they wrote and directed together, the Coen Brothers have been working their way up in the film world and, in spite of their outside-the-mainstream taste for the noir and the surreal, have earned a number of prestigious ...
Katarzyna Małecka
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Late Modernist Noirs: Béla Tarr’s Damnation/ Kárhozat and György Fehér’s Passion/ Szenvedély [PDF]
Caietele Echinox, 2022 Since the 80s, a large number of films, manifestly indebted to the classic American noir films of the 40s and 50s, have been appropriately labeled neo-noirs.
Radu Toderici
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Akademisk Kvarter, 2021 This article critically analyses La fille inconnue/The Unknown Girl (Jean-Pierre Dardenne and Luc Dardenne, 2016) as a genre film that operates through a transnational mix of references to the French noir and neo-noir traditions.
Jamie Nicholas Steele
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Вісник Харківського національного університету імені В.Н. Каразіна. Серия: Теорія культури та філософіі науки, 2021 The issue of “genre memory” in the noir film language is one of the most relevant problems in the modern study of “black” cinema evolution. In spite of the fact that in the recent years, noir has significantly expanded its traditional artistic “cover ...
Nataliia Markhaichuk +2 more
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Diurnal and Nocturnal Cityscapes in Miami Vice
TV Series, 2022 Amid intense inter-network rivalry and the proliferation of cable, pay television and a nascent and competitive video industry, the major American Networks in the 1980s were faced with major challenges if they wished to continue attracting audiences and ...
Jean Du Verger
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Identity, Borders and the Environment
Akademisk Kvarter, 2021 This article examines the works of two contemporary French crime writers, Colin Niel and Antonin Varenne, whose crime novels are set in marginalized spaces and places in France: rural areas in the Hexagone and French Guiana.
Alice Jacquelin
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« Ironihilisme » : le roman noir français sur un autre ton
Carnets, 2022 This article analyzes the ideological rupture and the ambiguity of the narrative voice at work in the French noir novel of the 21st century, in particular through the texts of the writers Jérôme Leroy, Antoine Chainas and DOA.
Stéphane Ledien
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Kwartalnik Filmowy, 2016 Sitek recenzuje książkę Magdaleny Kempnej-Pieniążek Neo-noir. Ciemne zwierciadło czasów kryzysu (2015). Stwierdza m.in., że współcześnie nieokreślone i wielopostaciowe kryzysy dotyczą każdego mieszkańca globalnej wioski, a swoistym przepracowaniem tej ...
Wojciech Sitek
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Trudne rozwijanie niewykorzystanego potencjału
Kwartalnik Filmowy, 2018 Recenzja książki Kamili Żyto Film noir i kino braci Coen (2017). Jak pisze Helman, autorka poświęciła pierwszą, stosunkowo obszerną część pracy rozważaniom teoretycznym na temat pojęć noir i neo-noir, wykraczając daleko poza przedstawienie literatury ...
Alicja Helman
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The Usual Suspects or the potency of falsity
Mise au Point, 2014 This essay seeks to contextualize Bryan Singer’s film The Usual Suspects within the general frame of generic references to noir and neo-noir traditions. Using these references to manipulate the spectator, the film works to redefine our approach to genre ...
Christophe Gelly
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