Sammelrezension: Film Noir und Neo-Noir
, 2007 Mark T. Conard (Hg.): The Philosophy of Film NoirMark T.
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Who Loves Ya, David Simon? Notes towards placing The Wire’s depiction of African-Americans in the context of American TV crime drama [PDF]
, 2009 This essay surveyed a number of key shows from the past that purported to convey a liberal viewpoint, and which made race a focus. This was in order to suggest ways in which 'The Wire' might be part of a genre tradition – and equally how it might be seen
Gibb, Jane, Sabin, Roger
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História, Histórias, 2016 Este artigo parte do filme Sin City: A cidade do pecado (Robert Rodriguez e Frank Miller, 2005) para analisar o conceito de noir. A hipótese aqui é de que o noir é um (sub)gênero cinematográfico/literário construído a posteriori, fruto de múltiplas e ...
Adérito Schneider
doaj
The Only Defense is Excess: Translating and Surpassing Hollywood’s Conventions to Establish a Relevant Mexican Cinema [PDF]
, 2011 Mexico is one of the countries which has adapted American cinematographic genreswith success and productivity. This country has seen in Hollywood an effectivestructure for approaching the audience.
Barreiro Posada, Paula
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“Dead cities, crows, the rain and their ripper, the Yorkshire ripper”: The red riding novels (1974, 1977, 1980, 1983) of David Peace as Lieux d’horreur [PDF]
, 2013 This article explores the role and importance of place in the Red Riding novels of David Peace. Drawing on Nora’s (1989) concept of Lieux de mémoire and Rejinders’ (2010) development of this work in relation to the imaginary world of the TV detective and
Cummins, ID, King, MS
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Spaces and scales of African student activism: Senegalese and Zimbabwean university students at the intersection of campus, nation and globe [PDF]
, 2008 African university students have long engaged in political activism, responding to changing political, social and economic circumstances through protest that has at times exerted considerable influence on the national stage.
Ansell, N, Zeilig, L
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Belleville Noir in Twenty-first Century Cinema: Adaptation and Innovation
Essays in French Literature and Culture, 2019 The focus of this article is on the representation of the inner Parisian quartier of Belleville in three twenty-first century films neo- noirs, through a study of their use of setting and location.
Carolyn Stott
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[Review] Jans B. Wager (2017) Jazz and cocktails: rethinking race and the sound of film noir [PDF]
, 2019 No description ...
Krutnik, Frank
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L’espace urbain chez Rodrigo Sorogoyen : un décadrage politique du regard
FlammeLa production de Rodrigo Sorogoyen investit l’espace urbain madrilène dans un cinéma de genre – le néo-noir espagnol – qui en fait non seulement un terrain d’exploration de la criminalité contemporaine mais aussi une métonymie des dysfonctionnements ...
Natacha LEVET
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Rediscovering our humanity: How the posthuman noir anime, Darker Than Black, subverts the tropes of film noir to reaffirm a humanist agenda [PDF]
, 2015 There is an inherent contradiction at the heart of posthuman noir in Anglo-American film and Japanese anime; this sub-genre focuses on science fictional futures where characters have moved beyond the traditional boundaries of what is considered human ...
Gee, Maxine
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