Results 41 to 50 of about 20,512 (210)

Desiring Futures: Hope, Technoscience, and Utopian Dystopia in Puella Magi Madoka Magica

Journal of Anime and Manga Studies, 2020
In this paper, I analyze the animated television series Puella Magi Madoka Magica based on a variety of literary critical methods: neo-noir criticism, feminist epistemology and studies of technoscience, and discussion of utopia/dystopia imagination.
Leo Chu
doaj   +1 more source

Not a comeback : the persistence of decadence in film noir [PDF]

, 2016
English Senior Honors ThesisIn this thesis, I will argue that the decadent movement survives in twentieth-century America through noir films, or what I refer to as "noir decadence." However, noir films make decadence more accessible to a wider audience ...
Arnold, Elizabeth
core  

From Noir to Neo-Noir

M/C Journal
Though the ‘official’ film noir period ended more than 60 years ago, the enigmatic allure of noir endures, lingering like the smoke from a femme fatale’s cigarette. IMDB defines the classic film noir period of American cinema as beginning with the film Underworld (1927) and ending with Touch of Evil (1958), while many consider that John Houston’s The ...
Rebekah Brammer, Lisa J Hackett, Jo Coghlan   +2 more
openaire   +1 more source

Double time : Facing the future in migration’s past [PDF]

, 2013
Interpretations of Italian films about migration tend to refer to the historical experience of emigration or of colonialism as the historical coordinates through which these films are best understood.
Duncan, Derek Egerton
core  

A femme fatale em Ela e outras mulheres (2006) de Rubem Fonseca e em O lobo atrás da porta (2013) de Fernando Coimbra

Rebeca
Partindo da figura da femme fatale, o presente trabalho pretende analisar o modo como o conto Belinha de Rubem Fonseca, e o filme O lobo atrás da porta (2013), realizado por Fernando Coimbra, inspiram-se nesta personagem essencial do film noir. Para tal,
André Francisco
doaj   +1 more source

Re-building the Idea of Being a Woman. The Audiovisual Legacy of Lila Crane

Communication & Society (Formerly Comunicación y Sociedad), 2019
This article gives a historical perspective on the route traced by women investigators in Hollywood audiovisual narrative. The starting point and main focus of the thrilling detective story at the heart of the enigma regarding being a woman is the ...
Laura Antón-Sánchez
doaj   +1 more source

Pesimist gerçekçilik ya da teknolojinin amansız tahakkümü: Tech-noir

ARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi
Tür, geçmişten bugüne değin şiirden resme, tiyatrodan sinemaya kadar uzanan sanatsal ürünlerin sınıflandırılmasında kullanılagelmiş bir kavramdır.
Ece Erol
doaj   +1 more source

Sammelrezension: Film Noir und Neo-Noir

, 2007
Mark T. Conard (Hg.): The Philosophy of Film NoirMark T.
openaire   +2 more sources

Who Loves Ya, David Simon? Notes towards placing The Wire’s depiction of African-Americans in the context of American TV crime drama [PDF]

, 2009
This essay surveyed a number of key shows from the past that purported to convey a liberal viewpoint, and which made race a focus. This was in order to suggest ways in which 'The Wire' might be part of a genre tradition – and equally how it might be seen
Gibb, Jane, Sabin, Roger
core  

The Only Defense is Excess: Translating and Surpassing Hollywood’s Conventions to Establish a Relevant Mexican Cinema [PDF]

, 2011
Mexico is one of the countries which has adapted American cinematographic genreswith success and productivity. This country has seen in Hollywood an effectivestructure for approaching the audience.
Barreiro Posada, Paula
core   +1 more source