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The Neobaroque and Popular Culture
PMLA/Publications of the Modern Language Association of America, 2009Carlos Monsiváis is hard to pin down. He is a chronicler of every aspect of Mexican reality past and present; A cultural critic focusing on poetry, film, art, and music; and an erudite essayist committed to the connections between elite and popular cultures. His style is both acerbic and festive in ways that epitomize the Mexican character, and nothing
Carlos Monsiváis, Lois Parkinson Zamora
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Postdigital Neobaroque. FRAGMENTARY ACTS OF TRANSFERENCE - Volume 1
The reader surveys the multi-faceted context of a postdigital neobaroque discoursein the arts, architecture, and design. It embraces the task of adopting, from a contemporary, new perspective, Swiss art historian HEINRICH WÖLFFLIN’s formal analysis — to ...
Colletti, Marjan, Massin, Peter
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Neobaroque Humanism: “Sounding the Abyss” in L’Œuvre au Noir
2005Margaret Elizabeth Colvin
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Neobaroque as Transgression: The Latin American Paradigm
Literatures of the Americasexaly +2 more sources
From Modernism to Neobaroque: Joyce and Lezama Lima
The Modern Language Review, 2002This book examiines the historical and intertextual relationship between European modernism and neobaroque Latin American literature by means of a comparative analysis of the works of Jose Lezama Lima and James Joyce. Revising concepts such as influence, imitation, and appropriation, it portrays modernism as a "world" aesthetic rather than a Euro ...
Alexis Grohmann, Cesar Augusto Salgado
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Baroque and Neobaroque: Making Thistory
PMLA/Publications of the Modern Language Association of America, 2009Among the most historically fixed of art historical and literary concepts, the Baroque arises at the intersection of early modern classicism, imperialism, and science—that is, out of the high Renaissance—to become a kind of antiprogram of resistances: to the absolutist state, the rise of empirical science, the pressures of empire, and other sixteenth ...
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