Results 21 to 30 of about 117 (100)
Transgénero y memoria histórica en Pedro Lemebel
Le roman de Pedro Lemebel Tengo miedo, torero aborde la situation de la communauté transgenre à Santiago du Chili sous la dictature d’Augusto Pinochet. L’acte d’écriture de l’auteur vise à récupérer la mémoire historique de son pays selon un point de vue
Silvia Hueso Fibla
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Of the politicals potencies of the Latin American neo-baroque
The article departs from the analysis of Mi tío el yaguareté of Joao Guimaraes Rosa, emblematic author of the Brazilian literature. It is inserted in the neobarroco by his stylistic conditions , but the analysis that is realized approaches, from a ...
Alejandra Adela González
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La voix contemporaine de Molière (ou les voies d'un Impromptu sur scène)
To stage a Molière play in Portugal nowadays poses a metatheatrical challenge as the stage itself becomes a space for the utopian recreation of voices, bodies and objects which once made sense in Versailles. D.
Marta Teixeira Anacleto
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New instability and symmetry: criticism and Neobaroque’s self-criticism
This essay proposes an interpretation of the neobaroque from the perspective of the work of its main poet-thinkers: the Brazilian Haroldo de Campos, the French-Cuban Severo Sarduy and the Argentinean Arturo Carrera. Aiming at providing a criticism of the
Joca Wolff
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Sarduy y el neobarroco. Interpretaciones sobre lo político en el arte
In the middle of affairs between Cuba and Europe, including the history, theory, literary criticism and art, between science and mythology, between the necessity of labeling and all which can not be labeled, Severo Sarduy built the basis of his ...
Silvana Santucci
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Le corps du texte démontable. Formes de l’expérience dans les textes culte
À partir de l’intuition d’Umberto Eco sur la démontabilité des textes, l’analyse montre que la modularité textuelle ne se réduit pas à des caractéristiques cognitives ou architecturales, mais repose sur une prise perceptive qui engage le sujet sensible ...
Eduardo Grillo
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Enrique Lihn y los juegos excéntricos de la imaginación
Se trata de una proposición de lectura global de la obra de Enrique Lihn, en la que se destacan los ordenamientos virtuales y las transformaciones textuales.
Carmen Foxley
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The late 1970s and the 1980s were crucial years for the emergence of a new form of historical consciousness in Latin American art and literature, especially concerned with questions of collective memory and identity.
Daniel Mandur Thomaz
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In 1957, the Cuban writer José Lezama Lima gave a series of lectures at the Center for Higher Studies of the National Institute of Cuba, which were later compiled and edited under the name of La expresión americana.
María José Rossi
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