Results 111 to 120 of about 21,961 (201)

Netflix as comfort zone: Qualitative research on viewing as subjective experience

open access: yesΨυχολογία: το Περιοδικό της Ελληνικής Ψυχολογικής Εταιρείας
This article examines viewers’ motivations for Netflix viewing and the emotions evoked by the experience. Netflix emerges as a comfort zone for viewers. Furthermore, as the criteria for defining binge-watching are not explicit in the existing literature,
Anthi Sidiropoulou   +9 more
doaj   +1 more source

Netflix : a house of cards or the new HBO? [PDF]

open access: yes, 2013
'House of Cards' was a $100 million, 13-episode TV series starring Kevin Spacey and directed by David Fincher, that premiered in 2013 exclusively online, available only to Netflix subscribers.
Silver, Jon
core  

Emotion and Engagement Across the Idol Spectrum: Comparing Virtual and Human Idols

open access: yesPsychology &Marketing, Volume 43, Issue 10, Page 2661-2679, October 2026.
ABSTRACT The increasing adoption of virtual idols in entertainment platforms raises critical questions about how viewers respond to their emotional performances compared to human idols. Despite their growing presence, little is known about whether and how emotional expressivity differs across performer modalities and content formats, or how these ...
Lin Kim   +4 more
wiley   +1 more source

R&D Organization and Corporate Social Responsibility Specialization

open access: yesManagerial and Decision Economics, Volume 47, Issue 7, Page 1767-1789, October 2026.
ABSTRACT In this paper, we examine whether the scope of corporate social responsibility (CSR) should be broad or narrow. A broad scope covers both production and R&D investment decisions, while a narrow scope applies only to production decisions. We show that both firms' choices and the government's preferences depend on the level of CSR concern and on
Quan Dong   +2 more
wiley   +1 more source

Who doesn\u27t watch Netflix?

open access: yes, 2021
In this study we analyze Netflix monthly stock prices for the period from Jan 2003 to February 2021. We find time series models and forecast future stock prices. We fit ARIMA models and based on these models we predict the Netflix stock price. Due to the
Saeed, Maryam
core  

Looking at Reading: Adolescents' Perceptions of Readerly Characters in High School Television Series

open access: yesReading Research Quarterly, Volume 61, Issue 4, October/November/December 2026.
Key findings of “Looking at reading”: ABSTRACT Despite growing concerns about declining reading motivation, research on adolescent literacy has rarely examined how readerly characters in mainstream media shape young people's perceptions of reading.
Jasmijn Bloemert, Jeroen Dera
wiley   +1 more source

When Food Safety Goes Viral: The Influence of the Documentary Poisoned on Trust in Food Supply Chain Actors and Food Risk Perceptions Among Young Adult College Students in Indiana

open access: yesJournal of Food Science, Volume 91, Issue 10, October 2026.
ABSTRACT As foodborne illnesses pose a significant public health concern in the United States, the rise of streaming platforms broadens audiences’ exposure to food safety documentary films. This investigation examines how the documentary Poisoned: The Dirty Truth About Your Food shapes young adults’ perceptions, attitudes, and trust in the food supply ...
Fanny Gozzi   +2 more
wiley   +1 more source

César González's Anti‐Racist Aesthetic Praxis at the Intersection of Race, Class and Space in Argentina

open access: yesBulletin of Latin American Research, Volume 45, Issue 4, October 2026.
ABSTRACT This article examines the aesthetic praxis of Argentine author and filmmaker César González as an example of anti‐racist art that challenges the often‐sidelined racism faced by residents of poor neighbourhoods (known as villeros), who are frequently presented as Argentina's Other.
Ignacio Aguiló, Ana Vivaldi
wiley   +1 more source

“Continua a guardare”. Strategie enunciative nelle piattaforme di video on demand

open access: yesE|C, 2020
In the framework of what has been labeled as “on-demand” or “algorithmic culture”, Netflix represents an exemplary case study and its interface increasingly affects how we access, choose and watch audiovisual products.
Massimiliano Coviello, Valentina Re
doaj  

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