Results 21 to 30 of about 166,060,163 (163)

Sobre Emmanuele Vimercati e Valentina Zaffino (Eds.), Nicholas of Cusa and the Aristotelian Tradition. A Philosophical and Theological Survey (Berlin, Walter de Gruyter, 2020)

Revista Filosófica de Coimbra, 2021
Neste estudo procedemos a uma leitura detalhada da obra editada por Emmanuele Vimercati e Valentina Zaffino, Nicholas of Cusa and the Aristotelian Tradition. A Philosophical and Theological Survey, cuja oportunidade começamos por realçar.
João Maria André
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NİCOLAUS CUSANUS

Felsefe Dünyası, 2021
Bu çalışma Armand Maurer'in Ortaçağ Felsefesi isimli eserinin Nicolaus Cusanus bölümü tercümesidir. Nicholas Krebs, Nicholas of Kues olarak da anılan Cusanus, Rönesans hümanizminin ilk savunucularından on beşinci yüzyıl Alman filozofu ve teoloğudur ...
Feyza Demir Çiçek
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Pemikiran Nicholas of Cusa Tentang Coincidentia Oppositorum dan Sumbangsihnya Dalam Ilmu Pengetahuan [PDF]

, 2021
Nicholas of Cusa. Cusa's thinking has undergone several changes in several of his works, in connection with the influences of negative theology, humanism, scholasticism, nominalism, and the philosophy of Neo-Platonism.
Layantara, Jessica
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Ian C. Levy, Rita George-Tvrtković, Donald F. Duclow (eds.), Nicholas of Cusa and Islam. Polemic and Dialogue in the Late Middle Ages, (Studies in Medieval and Reformation Traditions, 183), Leiden – Boston: Brill, 2014. 251 pp. ISBN 9789004274761 (HBK)

Mediterranea, 2016
Review of: Ian C. Levy, Rita George-Tvrtković, Donald F. Duclow (eds.), Nicholas of Cusa and Islam. Polemic and Dialogue in the Late Middle Ages, (Studies in Medieval and Reformation Traditions, 183), Leiden – Boston: Brill, 2014. 251 pp.
Hedwig Marzolf
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Kunst und Technik der menschlichen „mens“ bei Nikolaus von Kues. Bewusstseinsformen als Grundlagen von Kulturen

Internationale Zeitschrift für Kulturkomparatistik, 2021
In the so-called Anthropocene, we pose anew the question of what man is. If humankind wants to face present challenges, the preconditions of our “Weltanschauung” come into view.
Harald Schwaetzer
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A transsumptio e o uso de enigmas como "saída" para um discurso sobre o divino em De docta ignorantia (1440) de Nicolau de Cusa [The transsumptio and the use of puzzles as a "way out" for a discourse on divine in Nicholas of Cusa's De docta ignorantia (1440)]

Princípios, 2017
Este artigo traz traços de uma importante discussão dentro do contexto da filosofia de Nicolau de Cusa, a saber, a discussão sobre o conceito de transsumptio e o uso de enigmas como uma saída para um discurso acerca do princípio primeiro, isto é, Deus. O
Klédson Tiago Alves de Souza, José Teixeira Neto   +1 more
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Vanaf Ockham na Kusa: Die ensiklopediese aanspraak van ‘n ‘post-skolastiek’ in die Middeleeuse filosofie

HTS Teologiese Studies/Theological Studies, 2012
From Ockham to Cusa: The encyclopaedic case for ‘post-scholasticism’ in Medieval philosophy. This article argues for the encyclopaedic recognition of ‘post-scholasticism’, indicating the very last and complex period (circa 1349–1464) in late Medieval ...
Johann Beukes
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The Limits of Knowledge According to Nicholas of Cusa [PDF]

, 2022
Nicolás de Cusa es un filósofo conocido por afirmar las limitaciones del conocimiento humano. La docta ignorancia puede resumirse diciendo que no es posible alcanzar la perfección del conocimiento, no es posible conocer todo lo que es cognoscible. Aunque
Ruiz García, Cristian Camilo
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Acerca del carácter irreductible de la mens humana en Nicolás de Cusa: unidad y número

Franciscanum, 2018
Nicholas of Cusa elaborates the doctrine of the human spirit as a Metaphysics of Subjectivity. The Cusanus shows that the being of mind is its own operation and its own deployment that becomes either a form or a conjectural world entity.
Claudia D’Amico
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Die Begegnung zwischen ‚Artes Liberales‘ und ‚Artes Mechanicae‘ bei Nikolaus von Kues

Internationale Zeitschrift für Kulturkomparatistik, 2021
This article argues that Nicholas of Cusa, in contrast to the scholastic tradition and in consensus with the humanists of his time, develops a high esteem for Artes Me chanicae, placing it on an equal level with Artes Liberales.
Kazuhiko Yamaki
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