Results 1 to 10 of about 41 (38)

Discourse of decadence in Nikodim Kondakov’s “History of Byzantine Art...” (1876)

Manuskript
The aim of the paper is to reevaluate the theoretical dimension of the book “History of Byzantine Art and Iconography Based on Miniatures of Greek Manuscripts” (1876) by the leading Russian art historian Nikodim Pavlovich Kondakov (1844-1925) within the context of examining the cultural and social problem of decadence.
Anatolii Rykov
exaly   +2 more sources

Nomadic arts in emigration: Russian diaspora, Czechoslovakia, and the broken dream of a borderless Europe (1918–45) [PDF]

Journal of Art Historiography, 2021
In 1925, Nikodim Kondakov died in emigration in Prague. During his last years in Czechoslovakia, the Byzantinist had been asked to teach on nomadic art, a topic to which he had devoted only his early career.
Ivan Foletti, Adrien Palladino
doaj   +1 more source

Nikodim P. Kondakov and Mikhail I. Rostovtzev: A Teacher and his Disciple

Hyperboreus, 2021
exaly   +2 more sources

André Grabar et la filiation entre l’art antique, l’art byzantin et russe ancien dans l’historiographie russe

Revue des études slaves, 2016
This paper deals with a lesser known aspect of the work of André Grabar, the great French Byzantinist of Russian origin. That is, the genesis of one of his main theories, the continuity between antique, Byzantine and ancient Russian arts. According to us,
Olga Medvedkova
doaj   +1 more source

Nikodim Pavlovič Kondakov (1844–1925)

Studia Humanitatis, 2020
The article is devoted to prof. N. P. Kondakov focusing on his scientific and pedagogical activities in Czechoslovakia and his work at the Philosophical Faculty of Charles University.
openaire   +3 more sources

The restorer of the Russian icon: Nikodim Kondakov and his activities in the Ccommittee of Care on Russian icon painting (1901-1918)

Studia Humanitatis, 2021
Academician Nikodim Kondakov (1844-1925), well known as a Byzantine art historian and author of important scientific works on the history of the Russian icon, was also an active fighter for the revival of Russian icon painting and one of the creators of ...
Walczak Dorota
doaj  

Icon accessible to every believer. Russian icons in finift’ of the 19th and early 20th centuries

Studia Humanitatis, 2021
The article describes the main stages of the formation and development of finift icon painting in Russia. Finift is a type of artistic enamel typical for Russia which Rostov masters began painting small wearable icons on at the end of the 18th century ...
Walczak Dorota
doaj  

How has the invention of printing press influenced the Russian icon painting? Printed icons in Russia at the end of the 19th and early 20th centuries

Studia Humanitatis, 2021
The purpose of this article is to comprehensively present a “printed icon”, such characteristic phenomenon of Russia at the end of the 19th and early 20th centuries. The article indicates origins and typical features of this phenomenon, analyses the main
Walczak Dorota
doaj  

The illustrated Iconographical Script of the Committee of Care on Russian icon painting (1901-1918): the initial project and its implementation

Studia Humanitatis, 2019
This article reproduces the chronology of the work of the Committee of Care on Russian icon painting (1901-1918) on the creation of its own Illustrated Iconographical Script (Litsevoi ikonopisny podlinnik) – a handbook for icon painters, which had to ...
Walczak Dorota
doaj  

Holy images on blades: unique swords from the State Hermitage Museum (preliminary publication)

Tyragetia, 2013
The focus of this article are interesting rarities from the collection of the State Hermitage Museum - swords of the 17th-18th centuries with inscriptions in Greek and Slavonic, with images of Christian saints inlaid in gold.
Vsevolod Obraztsov, Yuri Pyatnitsky
doaj