Results 11 to 20 of about 75 (64)

Nikodim Pavlovitch Kondakov, Iconographie de la Mère de Dieu. Vol.III. Introduction et édition d’Ivan Folletti, avec la collaboration de Damien Cerutti (Pubblicazioni del Centro Aletti). Roma, Lipa Edizioni, 2011. 27,5 x 20 cm, 608 p., 267 ill. nb. ISBN 978-88-89667-36-1.

, 2012
Compte-rendu de l'édition critique du troisième volume de l'"Iconographie de la Mère de Dieu" de l'historien de l'art russe Nikodim Pavlovitch Kondakov (1844-1925), introduite et éditée par Ivan Folletti, avec la collaboration de Damien Cerutti.
Constant, Lise
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Clash of Titans. Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History

, 2023
International audienceThe emergence of nineteenth- and twentieth-century European nationalisms led the continents’ old powers to exploit art history – only then emerging as a discrete discipline – in their broader nation-building strategies.
Foletti, Ivan, Moraschi, Annalisa, Campini, Ruben   +2 more
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The First Honorary Member of the Georgian University: Art Historian Nikodim Kondakov and Georgia

, 2023
According to the protocol of the Council of Professors of the Georgian University in Tiflis (March 15, 1918) signed by P. Melikishvili and Iv. Javakhishvili, the authors relaying on the scientific achievements of the famous Russian art historian ...
სიმონიშვილი/ Simonishvili, ნინო/ Nino
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“Bizantynism” and “Bizantian style” in the Discurse of the Committee for Care on Russian Icon Painting (1901-1918)

, 2022
Głównym celem niniejszego artykułu jest pokazanie odniesień do sztuki bizantyjskiej, które pojawiają się w dyskursie Komitetu Troski o Rosyjskie Malarstwo Ikonowe (ros. Комитет попечительства о русской иконописи, 1901-1918), a także wskazanie ich funkcji
Walczak, Dorota
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Leafing through Seminarium Kondakovianum, I. Studies on Byzantine Illumination

, 2016
According to the Russian art historian Nikodim Kondakov, Byzantine illumination was less affected by religious and political interferences than monumental art, and should therefore be considered as the most authentic expression of Byzantine art and the ...
Lovino, F.
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Sinai, Katharinenkloster

, 2012
Basilika, innen nach OstBlick auf die Ikonostasis mit Triumphkreuz, im Mittelschiff zahlreiche Kandelaber und HängelampenPhotograph Collection of the Department of Art History (http://difab.univie.ac.at/

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Nikodim Pavlovitch Kondakov et Prague : comment l'émigration change l'histoire (de l'art)

, 2015
In March 1923 Russian professor Nikodim Pavlovich Kondakov came to Prague, having fled Bolshevik Russia a few years earlier. Invited to the Czechoslovak capital as part of the 'Russian Action', 78-year-old Kondakov tried to adapt to his new environment ...
Foletti, Ivan
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8. Ellis H. Minns and Nikodim Kondakov’s The Russian Icon (1927)

, 2018
In March 1922, Byzantine scholar and academician Nikodim Kondakov (1844–1925) arrived in Prague, an elderly, penniless émigré with little more in his suitcase than a massive book manuscript and a photo archive (fig. 8.1). Kondakov intended his book to be
Salmond, Wendy
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Da Bisanzio alla Santa Russia : Nikodim Kondakov (1844-1925) e la nascita della storia dell'arte in Russia : con la traduzione del primo volume dell' "Ikonografija Bogomateri"

, 2010
Da Bisanzio alla Santa Russia Résumé Ivan Foletti Le texte du premier volume de YIkonografija Bogomatri (Iconographie de la mère de Dieu), publié en 1914 à Saint Pétersbourg par Nikodim Kondakov et traduit dans le cadre de ce travail, soulève chez le ...
Foletti, Ivan
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„Bizantynizm i ,,styl bizantyjski” w dyskursie komitetu troski o rosyjskie malarstwo ikonowe (1901 – 1918)

, 2022
The main purpose of this article is to indicate the references to Byzantine art that appear in the discourse of the Committee for Care on Russian Icon Painting (in Russian: Комитет попечительства о русской иконописи, 1901-1918) and to point to their ...
Walczak, Dorota
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