(Two) Intermedia Forms as Hybrid Genres
This contribution opens the collective volume of Aveiro's conference on Hybrid Poetics (2018). Two intermediate hybrid forms are analyzed, the fictional and / or imaginary interview and the video essay.
Guido Mattia Gallerani
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Creation of fictional worlds : a semiotic game
The issues of fictionality have played an important role in 20th and 21st-century analytic philosophy to the extent that we can talk about the philosophy of fiction in its own right.
Chrzanowska-Kluczewska, Elżbieta
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Self-portrait in the genre "NON - FICTION" (based on the book of L. Petrushevskaya "Ninth Volume")
The author of the article is conducting a study of the extremely popular and currently significant literary category NON-FICTION.
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Transforming fictional genres: Five nineteenth-century American feminist novelists
Many nineteenth-century women writers in America were popular with the general reading public and considered by contemporary critics to be serious contenders for a lasting place in American letters.
Ross, Cheri Louise Graves
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Transfrontalité et perméabilité dans les genres de non-fiction: l’essai et la chronique
Partiendo de la noción de literatura de pensamiento, como conjunto heterogéneo y complejo de formas literarias con vocación argumentativa, el estudio que sigue pretende mostrar a la vez el valor paradigmático del ensayo, en el marco de estas escrituras, y la naturaleza transfronteriza de los géneros de no-ficción, entre los cuales el ensayo y la ...
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Exploratory preferences explain the human fascination for imaginary worlds in fictional stories. [PDF]
Dubourg E +4 more
europepmc +1 more source
"Live Gerontology": Understanding and Representing Aging, Loneliness, and Long-Term Care Through Science and Art. [PDF]
Neves BB +4 more
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Multimodal Worlds, Multilingual Selves: Fictional Linguistic Landscapes in Transnational Education. [PDF]
Solmaz O.
europepmc +1 more source
The Genres of Prosaic Self- Representation
Статтю присвячено дослідженню генологічної системи прозового саморепрезентативного письма, що є складником нефікційної літератури. Визначено, що до парадигми саморепрезентативних жанрів входять автобіографія, мемуари, щоденник, автобіографічна повість,
Черкашина, Т.
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Quantifying and explaining the rise of fiction. [PDF]
Dubourg E +3 more
europepmc +1 more source

