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Metalepsis out of Bounds [PDF]
This is a review of the panel “Metalepsis out of Bounds” presented at the 2013 ENN conference. The three convenors proposed complementary remarks to the extent that they either questioned the conceptualization, examined the functioning of metalepsis or ...
Saartje Gobyn, Liviu Lutas
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Metalepsis in Autobiographical Narrative
How do fictional tactics operate in what is often simplistically termed the “factual” or referential world of autobiographical discourse? Many narratologists view the rhetorical figure of metalepsis as distinctive to metafictional texts and constitutive ...
Sidonie Smith, Julia Watson
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Metalepsis and Intermediality. Into the Screen, Beyond the Adaptation in Lost in Austen
The essay tackles the role of the metalepsis in relation to the paradigm shift from the window era to the screen era. Metalepsis here is defined as a literary and artistic device which conflates different narrative levels, allowing illicit circulation ...
Donata Meneghelli
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Cece Bell released her autobiographical comic El Deafo (2014) in print and digital versions, transposing herself into the anthropomorphic rabbit Cece, who speaks of her hearing loss experience at four after having contracted meningitis. Young Cece wears
Sandra Mina Takakura
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Métalepses du récit vidéoludique et reviviscence du sentiment de transgression
Among the narrative transgressions, the metalepsis has spread over all the media, until occupy a prominent place in video games. Henceforth, its omnipresence questions about the possibility that it still produces any sense of transgression.
Sébastien Allain
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The subject of this article is the extensive use of metalepsis as an argumentative and rhetorical device in media discourse, and in particular in advertising.
Dahlberg Leif
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Metaleptic Rewriting as Sham Authorial Justice in Flann O’Brien’s At Swim-Two-Birds [PDF]
In Flann O’Brien’s At Swim-Two-Birds, a postmodernist novel avant la lettre, literary entities rewrite literary texts, including those in which they exist and I argue that they do so through metaleptic rewriting and in pursuit of different types of ...
Andreea Paris-Popa
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Los de abajo. Mitificación y metalepsis
El estudio, en Los de abajo, de los recursos narrativos, como el estilo indirecto libre y el monólogo narrado, si bien ha sido abordado por críticos como Mansour, Escalante y St.
Noé Blancas Blancas
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Le temps éclaté : Why Be Happy When You Could Be Normal? De Jeanette Winterson
This article reads Why Be Happy When You Could Be Normal? in the light of Oranges Are not the Only Fruit. To do so, it relies on the temporal orientation of trauma theory and tries to demonstrate how Winterson’s oeuvre as a whole is dominated by the ...
Jean-Michel Ganteau
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« Par Irène Némirovsky, pour Irène Némirovsky » : les jeux de miroir du biographique
This article analyses the writing of the novel Le Vin de solitude, the autobiographical dimension of which is highlighted by the process of transposition used by the author, from the drafts to the final text. A study of Némirovsky’s work diaries, held by
Elena Quaglia
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