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The reader and the narrative metalepsis in the novel 'The Attic' by Danilo Kiš [PDF]
As a writer who read and followed the contemporary literature and literary theory in several different languages and who intensively contemplated the act of reading and thematised it in his belletristic prose, Kiš had already problematised in his novel ...
Bečejski Mirjana M.
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Narrative Metalepsis in Persian Stories [PDF]
This study aimed at defining and classifying types of metalepsis, and analyzing its status in Persian stories. Narrative metalepsis refers to the combination of various narrative levels, whereby the author could descend to the story level and communicate
Ghodrat Ghasemipour
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This article looks at second-person metalepsis in two texts from Spanish-American literature: it proposes the study of some cases where the narrator addresses the character in Mario Vargas Llosa's El Paraíso en la otra esquina and also examines the ...
Lucile Magnin
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The reader with 'a lamp at the crossroads': Kiš's concepts of the reader and Kiš as the reader [PDF]
Pictured as an introduction into the study of the same name due to be published in the book Some Real And Possible Worlds, this paper focuses on Kiš as the reader of the works of others and his own works, as well as on the types of readers in his ...
Bečejski Mirjana M.
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Les usages de la métalepse d’auteur dans Partonopeu de Blois et Le Bel Inconnu
This article will investigate the extent to which the use of authorial metalepsis, theorized by Gérard Genette, highlights, in Le Roman de Partonopeu de Blois and Le Bel Inconnu, the functions of a participatory author whose active involvement reveals ...
Nathalie Leclercq
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Metalepsis and/as Queer Desire: Queer Narratology and the 'Unnatural'
After tracing the connection between metalepsis, originally defined as a transgression of narrative levels, and the term ‘unnatural’ in various strands of narratology, this article argues that unnatural narratology, a postclassical approach specifically ...
Florian Zitzelsberger
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La cuestión de la autoría en las nivolas de Miguel de Unamuno
El presente artículo propone un estudio sobre las formas en las que Unamuno concibe la autoría de la nivola y sobre cómo éstas se manifiestan en las distintas nivolas, particularmente en Amor y pedagogía, Niebla, Abel Sánchez y La novela de don Sandalio
Lidia Sánchez de las Cuevas
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This is a review of Metalepsis in Animation by Erwin Feyersinger.
Florian Zitzelsberger
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A Comparative Study of Metalepsis in the Novel and Film "The Book Thief" Based on the Model of Julian Hanebeck [PDF]
Metalepsis that causes transgression between levels of narrative, can be transmitted from one medium to another as a special type of narrative. At the origin, it appears in a different form at the destination.Although the properties of metalepsis have ...
Fatemeh Ahmadi, payam Zinalabedini
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„Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty [PDF]
The article deals with three short stories from Karel Milota’s collection The Night of Mirrors (Noc zrcadel; 1981, rev. ed. 2005): the eponymous text, “Carol” (“Koleda”) and “Pastoral” (“Pastorála”).
Josef Šebek
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