Results 21 to 30 of about 1,227 (148)
Cahiers de Narratologie, 2022 This article looks at second-person metalepsis in two texts from Spanish-American literature: it proposes the study of some cases where the narrator addresses the character in Mario Vargas Llosa's El Paraíso en la otra esquina and also examines the ...
Lucile Magnin
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The reader with 'a lamp at the crossroads': Kiš's concepts of the reader and Kiš as the reader [PDF]
Baština, 2021 Pictured as an introduction into the study of the same name due to be published in the book Some Real And Possible Worlds, this paper focuses on Kiš as the reader of the works of others and his own works, as well as on the types of readers in his ...
Bečejski Mirjana M.
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Les usages de la métalepse d’auteur dans Partonopeu de Blois et Le Bel Inconnu
Perspectives Médiévales, 2021 This article will investigate the extent to which the use of authorial metalepsis, theorized by Gérard Genette, highlights, in Le Roman de Partonopeu de Blois and Le Bel Inconnu, the functions of a participatory author whose active involvement reveals ...
Nathalie Leclercq
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“Fourth‐wall breakiness or whatevs”: Presumed self‐awareness in American superhero comics
The Journal of Popular Culture, Volume 56, Issue 3-4, Page 673-688, June/August 2023., 2023 Abstract Studies on reflexivity in the field of comics studies have been scarce and, more often than not, disconnected from each other, which has resulted in overlapping, and sometimes even contradicting, classifications of reflexive devices. Therefore, this article analyzes different instances of self‐awareness in American superhero comics, as it has ...
Lucía Bausela Buccianti
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Literalising Metaphor in the Poetry of Robert Southwell☆
Renaissance Studies, Volume 37, Issue 1, Page 75-91, February 2023., 2023 Abstract This article focuses on a distinctive feature of Robert Southwell's poetic technique, namely, his approach to metaphor. I argue that a number of Southwell's metaphors have a surprisingly literal quality where their vehicles are given greater prominence than their tenors.
Conor McKee
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Victorian Literature and Culture, 2019 Metalepsis, antik dönemdeki hukukî söylemden kaynaklanan ve Gérard Genette tarafından anlatı düzeyleri arasındaki geçişleri betimlemek için anlatı teorisine transfer edilen bir terimdir. Genette tarafından “ekstradiegetik anlatıcının ya da kurgusal okuyucu/dinleyicinin (“anlatılan”ın) diegetik dünyaya (ya da diegetik karakterlerin meta-diegetik dünyaya)
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Metalepsis and/as Queer Desire: Queer Narratology and the 'Unnatural'
Current Objectives of Postgraduate American Studies, 2020 After tracing the connection between metalepsis, originally defined as a transgression of narrative levels, and the term ‘unnatural’ in various strands of narratology, this article argues that unnatural narratology, a postclassical approach specifically ...
Florian Zitzelsberger
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La cuestión de la autoría en las nivolas de Miguel de Unamuno
Cultura, Lenguaje y Representación, 2023 El presente artículo propone un estudio sobre las formas en las que Unamuno concibe la autoría de la nivola y sobre cómo éstas se manifiestan en las distintas nivolas, particularmente en Amor y pedagogía, Niebla, Abel Sánchez y La novela de don Sandalio
Lidia Sánchez de las Cuevas
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Journal of the Austrian Association for American Studies, 2020 This is a review of Metalepsis in Animation by Erwin Feyersinger.
Florian Zitzelsberger
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A Comparative Study of Metalepsis in the Novel and Film "The Book Thief" Based on the Model of Julian Hanebeck [PDF]
مطالعات بینرشتهای ادبیات، هنر و علوم انسانیMetalepsis that causes transgression between levels of narrative, can be transmitted from one medium to another as a special type of narrative. At the origin, it appears in a different form at the destination.Although the properties of metalepsis have ...
Fatemeh Ahmadi, payam Zinalabedini
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