Results 21 to 30 of about 868 (159)

Metalepsis and Intermediality. Into the Screen, Beyond the Adaptation in Lost in Austen

Between, 2018
The essay tackles the role of the metalepsis in relation to the paradigm shift from the window era to the screen era. Metalepsis here is defined as a literary and artistic device which conflates different narrative levels, allowing illicit circulation ...
Donata Meneghelli
doaj   +1 more source

Self-reflexive Anthropomorphism in Cece Bell’s Autobiographical Comics: A Study of the Transgressions of Narrative Levels

Ilha do Desterro, 2023
Cece Bell released her autobiographical comic El Deafo (2014) in print and digital versions, transposing herself into the anthropomorphic rabbit Cece, who speaks of her hearing loss experience at four after having contracted meningitis. Young Cece wears
Sandra Mina Takakura
doaj   +1 more source

Métalepses du récit vidéoludique et reviviscence du sentiment de transgression

Sciences du Jeu, 2018
Among the narrative transgressions, the metalepsis has spread over all the media, until occupy a prominent place in video games. Henceforth, its omnipresence questions about the possibility that it still produces any sense of transgression.
Sébastien Allain
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Put a Tiger in Your Text

Nordicom Review, 2010
The subject of this article is the extensive use of metalepsis as an argumentative and rhetorical device in media discourse, and in particular in advertising.
Dahlberg Leif
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Metaleptic Rewriting as Sham Authorial Justice in Flann O’Brien’s At Swim-Two-Birds [PDF]

University of Bucharest Review. Literary and Cultural Studies Series, 2021
In Flann O’Brien’s At Swim-Two-Birds, a postmodernist novel avant la lettre, literary entities rewrite literary texts, including those in which they exist and I argue that they do so through metaleptic rewriting and in pursuit of different types of ...
Andreea Paris-Popa
doaj   +1 more source

Los de abajo. Mitificación y metalepsis

Literatura Mexicana, 2021
El estudio, en Los de abajo, de los recursos narrativos, como el estilo indirecto libre y el monólogo narrado, si bien ha sido abordado por críticos como Mansour, Escalante y St.
Noé Blancas Blancas
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Le temps éclaté : Why Be Happy When You Could Be Normal? De Jeanette Winterson

Sillages Critiques, 2015
This article reads Why Be Happy When You Could Be Normal? in the light of Oranges Are not the Only Fruit. To do so, it relies on the temporal orientation of trauma theory and tries to demonstrate how Winterson’s oeuvre as a whole is dominated by the ...
Jean-Michel Ganteau
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Metalepsis typologies and the progress of metalepsis in Turkish literature

, 2021
Retorikten yola çıkılarak anlatıbilim bağlamında Gerard Genette tarafından 1972 yılında anlatı düzeylerinde yapılan ihlaller olarak tanımlanan metalepsis kavramının günümüze dek pek çok teorisyen tarafından farklı tasnifleri yapılmıştır.
Ertürk, Fatıma
core  

« Par Irène Némirovsky, pour Irène Némirovsky » : les jeux de miroir du biographique

Revue Italienne d'Etudes Françaises, 2023
This article analyses the writing of the novel Le Vin de solitude, the autobiographical dimension of which is highlighted by the process of transposition used by the author, from the drafts to the final text. A study of Némirovsky’s work diaries, held by
Elena Quaglia
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Anti‐Blackness, Canonicity, and (Mis‐)Identification in Emine Sevgi Özdamar's Ein von Schatten begrenzter Raum

The German Quarterly, Volume 98, Issue 2, Page 91-108, Spring 2025.
Abstract This essay explores the disturbing presence of anti‐Black language and tropes in Emine Sevgi Özdamar's recent, celebrated novel Ein von Schatten begrenzter Raum. Drawing on Toni Morrison's classic analysis in Playing in the Dark, I argue Özdamar's anti‐Blackness is characterized by a double‐valence: on one hand, Özdamar's anti‐Blackness ...
Barbara N. Nagel
wiley   +1 more source