Results 31 to 40 of about 821 (160)

Un juego de cajas chinas en Ostia. Metalepsis y autoficción en Sergio Blanco

Investigación Teatral Revista de artes escénicas y performatividad, 2021
El ensayo analiza la tercera de las autoficciones de Sergio Blanco (Montevideo, 1971), Ostia (2015). La obra se estudia desde la teoría narratológica, definiendo la diégesis de la pieza y las otras historias presentes en el texto.
Carlos Gámez
semanticscholar   +1 more source

Le temps éclaté : Why Be Happy When You Could Be Normal? De Jeanette Winterson

Sillages Critiques, 2015
This article reads Why Be Happy When You Could Be Normal? in the light of Oranges Are not the Only Fruit. To do so, it relies on the temporal orientation of trauma theory and tries to demonstrate how Winterson’s oeuvre as a whole is dominated by the ...
Jean-Michel Ganteau
doaj   +1 more source

Los procedimientos teóricos ficcionales y la metalepsis narrativa en el cuento «Las babas del diablo» de Julio Cortázar

ACTIO NOVA Revista de Teoría de la Literatura y Literatura Comparada
The text analyzes narrative metalepsis in "Las babas del diablo" as a disruption of the boundaries between narrative levels. Based on the concept proposed by Lang, Grabe, and Meyer-Minnemann (2006), two types of metalepsis are identified: vertical ...
Ián Ranera Rodríguez
semanticscholar   +1 more source

« Par Irène Némirovsky, pour Irène Némirovsky » : les jeux de miroir du biographique

Revue Italienne d'Etudes Françaises, 2023
This article analyses the writing of the novel Le Vin de solitude, the autobiographical dimension of which is highlighted by the process of transposition used by the author, from the drafts to the final text. A study of Némirovsky’s work diaries, held by
Elena Quaglia
doaj   +1 more source

METALEPSIS AND THE METAREFERENTIAL POTENTIAL OF DUŠAN RADOVIĆ’SRADIO PLAYHOW BAD WORDS CAME ABOUT

Philological Studies, 2021
Metalepsis and metareference are not new concepts in literary theory, but thanks to the hypermediation of contemporary culture, they have acquireda broader meaning that transcends intertextual relations. Metalepsis originally belongs to rhetoric where it
Velibor Petković
semanticscholar   +1 more source

Anti‐Blackness, Canonicity, and (Mis‐)Identification in Emine Sevgi Özdamar's Ein von Schatten begrenzter Raum

The German Quarterly, Volume 98, Issue 2, Page 91-108, Spring 2025.
Abstract This essay explores the disturbing presence of anti‐Black language and tropes in Emine Sevgi Özdamar's recent, celebrated novel Ein von Schatten begrenzter Raum. Drawing on Toni Morrison's classic analysis in Playing in the Dark, I argue Özdamar's anti‐Blackness is characterized by a double‐valence: on one hand, Özdamar's anti‐Blackness ...
Barbara N. Nagel
wiley   +1 more source

Postmortem Punishment in the Parable of Lazarus and the Rich Man (Luke 16:19-31): Between Coherence and Indeterminacy of Luke’s Eschatology

Verbum Vitae, 2019
Taking as its point of departure the commonly recognized tension between the image of postmortem punishment in Lk 16:19-31 and other Lukan conceptualizations of the afterlife, the article examines the said image against the background of Luke’s overall ...
Sławomir Szkredka
doaj   +1 more source

Metalepsis and/as Hermeneutics: Julian Hanebeck’s Understanding Metalepsis [PDF]

, 2022
Julian Hanebeck: Understanding Metalepsis: The Hermeneutics of Narrative Transgres¬sion. Berlin / Boston: De Gruyter 2017 (= Narratologia 56). 288 pp. GBP 81.99.
openaire  

Poet as poem: The intermedial staging of A. E. Housman in Tom Stoppard's The Invention of Love

Orbis Litterarum, Volume 79, Issue 4, Page 336-349, August 2024.
Abstract Tom Stoppard's The Invention of Love (1997) offers the audience a dream‐like voyage through the post‐mortem reminiscences of the central character, A. E. Housman. The attempt to resurrect Housman, as the historical figure in real life, is suspended by the intertextual incorporation of Housman's poems, the both fictive and enigmatically private
Huayu Yang, Bowen Wang
wiley   +1 more source

A theological reading of the ‘welcome’ offered by God and Christ in Romans 14–15 using the Septuagint

The Heythrop Journal, Volume 65, Issue 3, Page 292-305, May 2024.
Abstract This article proposes a theological emphasis to the definition of προσλαμβάνω in Romans 14–15. Previous accounts have emphasised the domestic and social implication of Paul's imperative—‘welcome one another’ (Rom. 15:7a). The result has been that what Paul might have meant by God's and Christ's ‘welcome’ (Rom. 14:3 and 15:7b) has been governed
Oliver TI Wright
wiley   +1 more source