Results 11 to 20 of about 4,255 (167)

Metalepsis out of Bounds

open access: yesEnthymema, 2013
This is a review of the panel “Metalepsis out of Bounds” presented at the 2013 ENN conference. The three convenors proposed complementary remarks to the extent that they either questioned the conceptualization, examined the functioning of metalepsis or ...
Saartje Gobyn, Liviu Lutas
doaj   +2 more sources

Metalepsis in Autobiographical Narrative

open access: yesEuropean Journal of Life Writing, 2019
How do fictional tactics operate in what is often simplistically termed the “factual” or referential world of autobiographical discourse? Many narratologists view the rhetorical figure of metalepsis as distinctive to metafictional texts and constitutive ...
Sidonie Smith, Julia Watson
doaj   +3 more sources

“Fourth‐wall breakiness or whatevs”: Presumed self‐awareness in American superhero comics

open access: yesThe Journal of Popular Culture, Volume 56, Issue 3-4, Page 673-688, June/August 2023., 2023
Abstract Studies on reflexivity in the field of comics studies have been scarce and, more often than not, disconnected from each other, which has resulted in overlapping, and sometimes even contradicting, classifications of reflexive devices. Therefore, this article analyzes different instances of self‐awareness in American superhero comics, as it has ...
Lucía Bausela Buccianti
wiley   +1 more source

Literalising Metaphor in the Poetry of Robert Southwell☆

open access: yesRenaissance Studies, Volume 37, Issue 1, Page 75-91, February 2023., 2023
Abstract This article focuses on a distinctive feature of Robert Southwell's poetic technique, namely, his approach to metaphor. I argue that a number of Southwell's metaphors have a surprisingly literal quality where their vehicles are given greater prominence than their tenors.
Conor McKee
wiley   +1 more source

On Metalepsis [PDF]

open access: yesVictorian Literature and Culture, 2019
Even before I heard about this celebration of Elaine Freedgood's work and mentorship, I was already thinking about how I'd come to know her and about the numerous ways she has shaped my writing and my writing life. This reflection was prompted, inadvertently, by Elaine herself.
openaire   +3 more sources

“Nobody Is Ever Alone”: The Use of Social Media Narrative to Include the Viewer in SKAM

open access: yes, 2021
The Journal of Popular Culture, Volume 54, Issue 2, Page 232-256, April 2021.
Jill Walker Rettberg
wiley   +1 more source

The Boundaries of Fiction: Metalepsis in Marcos Martínez's Espejo de príncipes y caballeros (III) (1587) and its Precedents in Castilian Romances of Chivalry [PDF]

open access: yes, 2017
This article examines the last printed romance of the cycle, Martínez’s "Espejo de príncipes y caballeros (Tercera parte)" in particular the metalepsis present in its prologue.
Daniel Gutiérrez Trápaga
core   +1 more source

Metalepsis and Intermediality. Into the Screen, Beyond the Adaptation in Lost in Austen

open access: yesBetween, 2018
The essay tackles the role of the metalepsis in relation to the paradigm shift from the window era to the screen era. Metalepsis here is defined as a literary and artistic device which conflates different narrative levels, allowing illicit circulation ...
Donata Meneghelli
doaj   +1 more source

Self-reflexive Anthropomorphism in Cece Bell’s Autobiographical Comics: A Study of the Transgressions of Narrative Levels

open access: yesIlha do Desterro, 2023
Cece Bell released her autobiographical comic El Deafo (2014) in print and digital versions, transposing herself into the anthropomorphic rabbit Cece, who speaks of her hearing loss experience at four after having contracted meningitis. Young Cece wears
Sandra Mina Takakura
doaj   +1 more source

Métalepses du récit vidéoludique et reviviscence du sentiment de transgression

open access: yesSciences du Jeu, 2018
Among the narrative transgressions, the metalepsis has spread over all the media, until occupy a prominent place in video games. Henceforth, its omnipresence questions about the possibility that it still produces any sense of transgression.
Sébastien Allain
doaj   +1 more source

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