Results 11 to 20 of about 978 (124)
Ceylan's Winter Sleep: From Ambiguity to Nothingness
Nuri Bilge Ceylan is a puzzling filmmaker who started his career as a photographer and initially made films with a “photographic” spirit. But from his first films known as the Trilogy of Province to his award winning latest feature Winter Sleep, Ceylan ...
Aslı Daldal
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Modern toplumda yaşamın endüstriyelleşen ve kentlileşen yapısının hızlı akışına karşı önem kazanan “yavaşlık” olgusu, tüketim kültürünün beraberinde getirdiği sorunlara bir tepki niteliği taşımaktadır.
Aziz Barkın Kadıoğlu
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Wild Pear Trees, Patrimonial Legacies: Father-Son Relationship in Nuri Bilge Ceylan's The Wild Pear Tree [PDF]
This article analyzes the father-son relationship in Nuri Bilge Ceylan’s latest film The Wild Pear Tree (2018), which tells the story of a son who desires a life as unlike his father’s narrow, provincial life as possible, only to find himself following ...
Liktor, Coşkun
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Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media
Nuri Bilge Ceylan is the most famous Turkish film director with numerous international prizes. However, Ceylan’s presentation by the Turkish media is far from emphasizing his success, talent, creativity, style, technique, and cinematography.
Zafer Parlak, Mehmet Işık
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The Total Filmmaker: thinking of screenwriting, directing and editing as one role [PDF]
As screenwriting continues to establish itself as a discrete discipline in academia, either in alignment with creative writing departments or film and media practice departments, there is a danger that such developments may entrench a distancing of the ...
Bresson R +17 more
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Portret młodego pisarza oraz nawiązania do twórczości Antona Czechowa w Dzikiej gruszy Nuriego Bilge Ceylana [PDF]
Domalewski Adam, Portret młodego pisarza oraz nawiązania do twórczości Antona Czechowa w Dzikiej gruszy Nuriego Bilge Ceylana [Portrait of a Young Writer and References to European Literature in Nuri Bilge Ceylan’s The Wild Pear Tree].
Domalewski, Adam
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Old Concepts, New Contents: The City, Cinema and the Stranger
Bu çalışma İstanbul’un gerçek değil; esasında güncellenmiş bir sinematik portresidir. Sinematik İstanbul’un yabancıları bağlamında, kent imgesini güncellemek için en stratejik, faydalı ve aynı zamanda en zor adım ekseni merkezlerden, turistik mekânlardan,
Sertaç Timur Demir
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Reading the Once Upon Time in Anatolia movie over the sense of ambiguity [PDF]
Bireyin düşünme ve karar verme yetisi üzerinde doğrudan etkisi bulunan belirsizlik, edebiyatta ve diğer plastik sanatlarda olduğu gibi sinemada da pek çok kez temel bir motif olarak işlenmiş ve filmlerde kendisine yer bulmuştur.
İpek, Özgür
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What They See is What We Get in Film: Reality Tells the Fiction
Robert Bresson's cinematography allows him to show the affordances that things and situations have for characters in a film. By intimating these affordances, Bresson authentically presents the affordances as well as the characters.
Rob van Gerwen
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NURİ BİLGE CEYLAN VE YAVAŞ SİNEMA
Son yıllarda adları daha sık telaffuz edilen yavaş filmler, 2010’larla birlikte tanımlanmaya, sahip oldukları ortak özellikler belirlenmeye çalışılmıştır. Uzun çekimlerin yer aldığı, sabit kameranın baskın olduğu, genelde suskun karakterlere sahip yavaş filmler, bir film türü olmaktan çok bir tarz olarak özelikle festivallerde izleyicinin karşısına ...
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