Results 31 to 40 of about 2,633,532 (177)

EPISTEMIC EXTRACTIVISM IN ENGAGED URBAN AND HOUSING RESEARCH: Implications and Counter‐measures

open access: yesInternational Journal of Urban and Regional Research, EarlyView.
Abstract What is ‘epistemic extractivism’, and how does it affect researchers who are engaged in urban and housing movements? This essay first explores the contexts of both engaged research and epistemic extractivism, clarifying their meanings and implications. It also disentangles the ethical and methodological risks posed by epistemic extractivism in
Miguel A. Martínez
wiley   +1 more source

Economía colaborativa y web startups. Una aproximación conceptual [PDF]

open access: yes, 2016
La crisis global de carácter económico, que tuvo sus inicios en 2008, derivó en un incremento del desempleo a escala internacional, y también un rechazo en ciertos casos a las grandes empresas, debido a que se ha considerado en parte, por ejemplo a las ...
Del-Aguila-Obra, Ana Rosa   +1 more
core  

100 Years of Education, Pastoral Work and Dreams. Baltasar Pardal and the Daughters of the Nativity of Mary

open access: yesMiscelánea Comillas, 2020
In 1918 a project called the Great work of Atocha was founded in La Coruña. This project was envisioned and designed by Baltasar Pardal, aimed to provide free education and social advocacy.
María Teresa Iglesias Polo
doaj  

Non‐linear pathways of/for social and spatial justice research

open access: yesArea, EarlyView.
Short Abstract This commentary challenges the linear connection between research, engagement and activism in geographical scholarship, emphasising how these elements often intersect, overlap and conflict in complex, non‐linear ways. It reflects on the author's personal experiences as a human geographer and activist in the UK and Spain, exploring the ...
Mara Ferreri
wiley   +1 more source

Evaluación de la calidad de vida en personas con discapacidades significativas: aplicación de la Escala San Martín en la Fundación Obra San Martín

open access: yesRevista Española de Discapacidad, 2015
La Escala San Martín es un instrumento que permite evaluar la calidad de vida de personas con discapacidades significativas con evidencias adecuadas de fiabilidad y validez.
Irene Hierro Zorrilla   +4 more
doaj  

José Bonifácio, o patriarca: sua vida e sua obra

open access: yesRevista de História, 1963
Na humilde vila de Santos do século XVIII, circunscrita então ao atual centro comercial da cidade, tendo como limites extremos dum lado o final da rua dos Quartéis, além da primitiva igreja matriz, e do outro o vetusto convento fran-ciscano do Valongo ...
Edgard de Cerqueira Falcão
doaj   +1 more source

Humanism at the Council of Constance. Diego de Anaya, Classical Manuscripts and Education in Salamanca

open access: yesRenaissance Studies, EarlyView.
Abstract Due to their prolonged and multicultural nature, councils functioned historically as hubs for the exchange of ideas, discourse, diplomacy and rhetoric, reflecting broader cultural trends. In the Middle Ages, no international forums were comparable to ecumenical councils, where diverse and influential groups from various regions convened to ...
Federico Tavelli
wiley   +1 more source

Um semeador no campo das humanidades: Junito Brandão e seu legado na mitologia, por Amós Coêlho da Silva, Carlinda Fragale Pate Nuñez e Walter Boechat (org.)

open access: yesConfluência
Livro resenhado: SILVA, Amós Coelho da; NUÑEZ, Carlinda Fragale Pate; BOECHAT, Walter (Orgs.) Um semeador no campo das humanidades: Junito Brandão e seu legado na mitologia. Petrópolis, RJ: Vozes, 2024.
Edila Vianna da Silva
doaj   +1 more source

bilis brillante gris grafito. Acerca de los dibujos de Angélica María Zorrilla

open access: yesDesde el Jardín de Freud, 2017
Sobre la obra de Angélica María Zorrilla.
Paula Ronderos
doaj   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

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