Results 101 to 110 of about 308,566 (228)
Pacific Opera Victoria's production of Daphne by Richard Strauss, a Canadian premiere. Creative team: Artistic director Timothy Vernon. Poster design by Jane Francis Design and photography by Jo-Ann Richards.
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Notation in Early Modern Language Teaching
ABSTRACT This article examines the use of musical notation as a pedagogical tool in early modern language teaching, focusing on Latin, Greek, Hebrew, and briefly, Turkish. While musical notation is typically associated with performance and composition, the sources discussed here demonstrate its broader application as a visual and conceptual system for ...
Elisabeth Giselbrecht
wiley +1 more source
Pacific Opera Victoria's production of Madama Butterfly by Giacomo Puccini. Creative team: Artistic director Timothy Vernon, General manager David Devan.
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Performing Papal Supremacy: Niccolò Cieco's Capitoli for Martin V and Eugenius IV
ABSTRACT This article analyses two poems performed by the blind oral poet (or canterino) Niccolò Cieco of Arezzo for the first two popes elected after the Great Schism, Martin V and Eugenius IV. It argues that Niccolò's characterisation of the papal office must be understood in relation to both medieval canon law and contemporary ecclesiological ...
Isaac Figliuoli
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Pacific Opera Victoria's production of Hoiby's The Tempest, based on Shakespeare's romantic and mystical journey. Creative team: Artistic director Timothy Vernon. General manager David Devan. Poster design Jane Francis. Poster photography Jo-ann Richards.
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ABSTRACT Can sociologists feel? Sociological writing can be beautiful, making us think differently about people, processes, and structures. Yet traditional academic writing that does this is rare. For example, most articles adhere to a jargon‐filled format and structure that mimics a detached and disciplined writer.
Victoria Reyes
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Pacific Opera Victoria's production of Julius Caesar by George Frieric Handel. Creative team: Artistic director Timothy Vernon. General manager David Devan. Poster design by Jane Francis Design and illustrated by Sara Tyson.
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Abstract This paper argues for the significance of Kaplan's logic LD in two ways: first, by looking at how logic got along before we had LD, and second, by using it to bring out the similarity between David Hume's thesis that one cannot deduce claims about the future on the basis of premises only about the past, and the so‐called "essentiality" of the ...
Gillian Russell
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Pacific Opera Victoria's production of Stravinsky's The Rake's Progress. Creative team: Artistic director Timothy Vernon. Executive director David Shefsiek. Directed by Glynis Leyshon. Set design by Alan Stitchbury. Conducted by Timothy Vernon.
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