Results 11 to 20 of about 79,177 (283)
Three representative social strata in Slavonia, Croatia organized and enjoyed secular musical theater during the nineteenth century: officers at the military fortress in Osijek, members of the aristocratic families and new wealthy citizens in Osijek ...
Vjera Katalinić
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Verdis Opern und der Risorgimento
The thourough analysis of historical sources from the beginning of the year 1859 shows that the famous acrostic VIVA VERDI was not only widely known in Italy but also throughout Europe.
Michael Walter
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As part of a larger study which compresses three layers of analyses — dramatic, visual, and musical — the present article deals with the rhythmic component of the musical phenomenon in French operas within a half century timeframe, 1862–1923 ...
Noémi KARÁCSONY +2 more
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The protectorate playhouse: William Davenant's cockpit in the 1650s [PDF]
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Watkins, Stephen
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Impact of Soap Operas on the Television Viewers: Experience from Pakistani Society
Soap operas are popular genre in media industry from all over the world. Generally, Soap operas focus on family dramas, domestic issues and women plight. There were number of studies conducted to explore public perception regarding soap operas.
Beenish Zaheen +2 more
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Purpose: The present research seeks to explore the effects of Soap operas on television viewers. It had made comparative analysis of male and female viewer’s perception regarding the image of female empowerment as projected in soap operas.
Beenish Zaheen +2 more
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Verdi’s six-fours and la parola scenica [PDF]
Verdi’s operas display many non-normative six-four chords. The question for the opera analyst, however, is not only what occurs musically, but why it does. Is there a dramatic function being served by this mix of harmonic-intervallic instability?
Burton, D., Sanguinetti, G.
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Ópera y zarzuela en Chile a través de la revista «Instantáneas»
El trabajo se centra en las crónicas teatrales que aparecen en la revista Instantáneas, una publicación periódica modernista editada en Santiago de Chile en 1900. A través de sus páginas se ven los gustos del público con respecto a las óperas y zarzuelas
Almudena Mejías Alonso +1 more
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To sleep perchance to sing: the suspension of disbelief in the prologue to Francesco Cavalli's Gli Amori d'Apollo e di Dafne (1640) [PDF]
In the newly popularized genre of opera during the seventeenth century, the allegorical prologue was commonly used as a preface from about 1600 to 1670, with no fewer than 98 opera prologues composed throughout Venice during this period. These prologues,
Reba Wissner
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Audience responses to representations of family-assisted suicide on British television [PDF]
Reflecting on different generic conventions, this study highlights the strengths and weaknesses of documentaries and soap operas in addressing the societal and the personal dimensions of family-assisted suicide.
Inthorn, Sanna
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