Results 51 to 60 of about 6,131 (173)
When he began setting T.-S. Eliot’s play to music as Assassinio nella Cattedrale in the second half of the 1950’s, Pizzetti was already of a respectable age and had nothing left to prove in musical composition and drama.
Walter Zidaric
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ABSTRACT Genomic incompatibilities and differential ecological adaptation are thought to be fundamental mechanisms of speciation. In this study, we generated a chromosome‐scale reference genome and annotation for Gopherus morafkai , the Sonoran Desert tortoise, and conducted a detailed analysis of genes under positive selection with its sister species,
Sarah M. Baty +6 more
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The University Oratorio Chorus, June 2, 1972
Concert program for The University Oratorio Chorus, June 2 ...
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Oratorio Il Davide nella valle di Terebintho by Carl Ditters von Dittersdorf
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Jana Spáčilová
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This paper aims at studying how national identity was put into words and music by Gilbert in Sullivan in Utopia Limited (1893). Whereas the libretto reads like a mild Horatian satire of British institutions – in particular the system of corporate law ...
Joël Richard
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A Sweeter Music: Two Essays and a Colloquy on an Elgar Part‐Song
ABSTRACT Edward Elgar's 1907 part‐song ‘There Is Sweet Music’ (Op. 53 No. 1) is at once a ‘minor’ piece and a highly significant one that richly rewards investigation. It is notable as an early instance of bitonality, being notated simultaneously in two keys – the male choir in G major and the female choir in A♭. Yet despite the apparent discordance of
Patrick McCreless, Benedict Taylor
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University Oratorio Chorus, May 23, 1973
Concert program for University Oratorio Chorus, May 23 ...
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The Magistracy of Moses: The Old Testament in Local Government, 1689–1750
Abstract This article explores the popularity of Moses as a model for government in the early eighteenth century. It examines references to Moses in sermons preached at civic or political events such as assizes, elections of mayors, and meetings of reform societies.
Daniel Rignall
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El oratorio de San Miguel (Orihuela. 1939)
Título tomado de la cabeceraEntre el n. de fecha en. 1967 y el n. de fecha mayo 1967 el tít.: El Oratorio Festivo de San MiguelCopia digital. España : Ministerio de Cultura y Deporte. Subdirección General de Cooperación BibliotecariaDescripción basada en:
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Propuesta escénica: ¿Un oratorio para la Primera Cruzada? [PDF]
Ocho actores, cinco músicos y un coro de ocho voces dan vida a un rico universo creado más que probablemente por Miguel de Cervantes. El texto, concebido originalmente en cuatro jornadas, ayuda mucho a pautar el ritmo con el que contamos, representamos y
Sanz Ballesteros, Juan
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