Results 61 to 70 of about 768 (176)
Musicologica Brunensia, 2014 Count Johann Adam von Questenberg was regarded, next to cardinal Wolfgang Hannibal von Schrattenbach, as yet another important nobleman who participated in running of oratorios in the first half of the 18th century in Moravia.
Jana Perutková
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Primary Progressive Multiple Sclerosis: New Therapeutic Approaches
Neuropsychopharmacology Reports, Volume 45, Issue 3, September 2025.Primary progressive MS affects 10%–15% of MS patients, causing irreversible neurological impairment. Drugs like ocrelizumab show promise, while high‐dose biotin, simvastatin, and coenzyme Q10 are under investigation. Gene therapy and stem cell treatments also show potential.
Morteza Rajabi +8 more
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La construction du genre : contraltos et castrats dans la production lyrique haendélienne
Etudes Epistémè, 2019 Although modern operatic scholarship has spent considerable time studying the erotic power of nineteenth-century crossdressing, English baroque opera seems to have been slightly overlooked in that respect.
Pierre Degott
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The Revelation. An Oratorio [PDF]
The Musical Times and Singing Class Circular, 1899 n ...
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Molecular Ecology Resources, Volume 25, Issue 6, August 2025.ABSTRACT Genomic incompatibilities and differential ecological adaptation are thought to be fundamental mechanisms of speciation. In this study, we generated a chromosome‐scale reference genome and annotation for Gopherus morafkai , the Sonoran Desert tortoise, and conducted a detailed analysis of genes under positive selection with its sister species,
Sarah M. Baty +6 more
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De Musica DisserendaGeorge Frideric Handel’s oratorio La Bellezza ravveduta (1707) and its two later reworkings, Il trionfo del Tempo e della Verità (1737) and The Triumph of Time and Truth (1757), differ in musical content and in how the allegorical characters are coded in
Ivan Ćurković
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A Sweeter Music: Two Essays and a Colloquy on an Elgar Part‐Song
Music Analysis, Volume 44, Issue 2, Page 246-289, July 2025.ABSTRACT Edward Elgar's 1907 part‐song ‘There Is Sweet Music’ (Op. 53 No. 1) is at once a ‘minor’ piece and a highly significant one that richly rewards investigation. It is notable as an early instance of bitonality, being notated simultaneously in two keys – the male choir in G major and the female choir in A♭. Yet despite the apparent discordance of
Patrick McCreless, Benedict Taylor
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Revue LISA, 2014 When he began setting T.-S. Eliot’s play to music as Assassinio nella Cattedrale in the second half of the 1950’s, Pizzetti was already of a respectable age and had nothing left to prove in musical composition and drama.
Walter Zidaric
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Revue Française de Civilisation Britannique, 2016 This paper aims at studying how national identity was put into words and music by Gilbert in Sullivan in Utopia Limited (1893). Whereas the libretto reads like a mild Horatian satire of British institutions – in particular the system of corporate law ...
Joël Richard
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