Results 21 to 30 of about 193 (127)

«Sia Marganorre essempio di chi regna». Catastrophe, tyranny and misogyny in the XXXVII canto of «Orlando furioso»

Griseldaonline, 2021
A double catastrophe is narrated in the XXXVII canto of Orlando furioso. The first calamity, unleashed by the tragic death of both Marganorre’s sons, is of an individual sort; yet it reveals an ‘apocalyptic’ trait, since it unveils the tyrant’s cruel ...
Ottavia Branchina
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Gli amari frutti del martirio. Sulla morte di Brandimarte ("Orlando furioso" XLI-XLIII)

AOQU, 2021
Il saggio ripercorre le vicende di Brandimarte, personaggio di invenzione boiardesca, concentrandosi in particolare sull’episodio della sua morte nel Furioso (XLI-XLIII).
Gabriele Bucchi
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Il platonismo di Ariosto

Enthymema, 2013
Starting from the moon episode in Orlando Furioso,  the essay put in aesthetic and cultural perspective the peculiar way in which Ariosto translates in written form the platonic contrast between Idea and copy. Ariosto is thus integrated into the platonic
Lucia Dell'Aia
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El entrelazamiento en el Quijote

Anales Cervantinos, 2021
El entrelazamiento en el Quijote ofrece a Cervantes la oportunidad de desarrollar la figura y las funciones de Cide Hamete, como responsable de la mayor parte de las alternancias narrativas de la historia principal.
José Manuel Martín Morán
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Epoca, stile, campi di possibilità: la teoria di Auerbach per il poema tra Boiardo, Ariosto e Tasso

Polythesis
Starting from the rare instances in which Erich Auerbach mentions Ariosto in Mimesis, particularly the notion that Orlando Furioso should be described in terms of “feats of arms” (Waffentaten) rather than “war” (Krieg), this article aims to develop an ...
Corrado Confalonieri
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“«Sed me nunc ablue, quaeso, fontis aquis sacri»” (Lyr. V, 81 82). La impronta del Morgante de Luigi Pulci en los Lyrae Heroycae libri quatuordecim (1581) de Francisco Núñez de Oria

Ágora, 2023
Para el presente trabajo, rescatamos la epopeya neolatina titulada Lyrae Heroycae libri quatuordecim (Salamanca, Matías Gast, 1581) del humanista español Francisco Núñez de Oria. Este poema épico, tan poco conocido como su autor, conjuga dos tradiciones
María Fernández Ríos
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From Latin QUO(D) VELLES to Romagnol Cvël: A Case of Degrammaticalisation from a Free‐choice Indefinite to the Noun ‘Thing’1

Transactions of the Philological Society, Volume 122, Issue 1, Page 119-150, March 2024.
Abstract Degrammaticalisation is an oft‐dismissed category of language change. In this paper evidence is provided for its existence, its triggers, and its conditions. This case study details the development of an understudied Old Italo‐Romance indefinite, covelle, a polarity‐sensitive item roughly translating as ‘anything’ which originated from a Latin
Nicola D’Antuono
wiley   +1 more source

L’Ariosto di Bonfantini - Bonfantini’s Literary Critic about Ariosto

Rivista di Storia dell'Università di Torino, 2017
The essay retraces the relationship between Mario Bonfantini and Ludovico Ariosto from different points of view: Bonfantini reader of other publications about the Orlando Furioso and Bonfantini literary critic on his own about Ariosto.
Clara Allasia
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Ecos de Ludovico Ariosto en la obra del Inca Garcilaso

Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
El Orlando furioso de Ludovico Ariosto fue un texto canónico en el Siglo de Oro. Su presencia en la biblioteca del Inca Garcilaso invita a examinar la lectura que hizo el cuzqueño de esta obra, así como de los Cinque canti, especie de continuación del ...
Fernando Rodríguez Mansilla
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R. H. Moreno-Durán y la pasión paródica A propósito de una conferencia

Grafía, 2008
“Damas, armas, amor y empresas canto, caballeros, esfuerzo y cortesía…”, es el epígrafe tomado del Canto Primero de Orlando Furioso de Ludovico Ariosto, con el que R. H.
Luz Mary Giraldo
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