Results 41 to 50 of about 6,510 (206)

De l’orphisme à la kabbale ou les fantasmagories de l’amour dans Cours sur la Rive Sauvage de Mohammed Dib [PDF]

open access: yesRevue Roumaine d’Etudes Francophones, 2019
In this article, we make a parallel reflection between the meaning of love and death and the literary creation in Cours sur la rive sauvage by Mohammed Dib.
Ali LIHI
doaj  

Notation in Early Modern Language Teaching

open access: yesRenaissance Studies, EarlyView.
ABSTRACT This article examines the use of musical notation as a pedagogical tool in early modern language teaching, focusing on Latin, Greek, Hebrew, and briefly, Turkish. While musical notation is typically associated with performance and composition, the sources discussed here demonstrate its broader application as a visual and conceptual system for ...
Elisabeth Giselbrecht
wiley   +1 more source

Raw results of the ORPHEUS quality of experience tests done by b<>com [PDF]

open access: yes, 2018
This Excel document contains the raw results of the ORPHEUS project Quality of Experience tests done by bcom. The first sheet contains the results while the second contains additional information about the data presented in the first sheet.
Epain, Nicolas   +3 more
core   +1 more source

Orpheus [PDF]

open access: yes, 1930
Orpheus playing harp to soothe the animals (different variation of Orpheus painting)
Julius Moessel 1871-1957
core   +2 more sources

Titian's Falconer: From Zorzone to Girolamo Cornaro

open access: yesRenaissance Studies, EarlyView.
ABSTRACT The identity of the sitter in Titian's Falconer and the issue of its dating have been subject to a false, yet very influential assumption: that The Falconer should be dated to a point as late as 1537 in order to connect it to the identity of Zorzone Cornaro (1517–1571), son of Girolamo (1485–1551).
Rachel Healy
wiley   +1 more source

International publication of compositions and arrangements for jazz choir: Hey Cinderella; Hold my heart to blame; Anything goes: From the songbook of Cole Porter (2009); Who wants to be a millionaire; and You're sensational medley [PDF]

open access: yes, 2011
Research and develop original compositions “Hey Cinderella” arranged for Adv, Int, and Beginner levels of Jazz Choir (dur. Approx 4-5 minutes) "Hold My Heart To Blame"(selected for the Wisconsin Choral Competitions Song List) and "The Gift Of Love" for ...
Senior, Wayne L, Porter, Cole
core  

Voice and Nothing Else: To the Issue of the Protagonist in the Context of Intermedia- Transformations of the Opera Orpheus and Eurydice by Christoph Willibald Ritter von Gluck [PDF]

open access: yesТелекинет
The article problematizes the presence of the protagonist of the opera Orpheus and Eurydice by K. W. Gluck, staged by the Alexander Pushkin Nizhny Novgorod State Opera and Ballet Theater in 2022, and presents the results of a comparative analysis of the
Veronika Demenyuk
doaj   +1 more source

Long-Term Fire Regime Modifies Carbon and Nutrient Dynamics in Decomposing Eucalyptus pilularis Leaf Litter

open access: yesFrontiers in Forests and Global Change, 2020
The changes in fire regimes expected under climate change are likely to disrupt the biogeochemical cycling of carbon (C) and nutrients in forest ecosystems.
Orpheus M. Butler   +4 more
doaj   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, Volume 40, Issue 4, Page 570-588, September 2026.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

El Arquitecto: musica mundana

open access: yesAla Este, 2022
This essay explores the story «The Architect» by Mircea Cărtărescu as a metaphor for the author’s view of art as a way of understanding the world. First, a reading of the story is made in the light of the Pythagorean concept of music as an ordering ...
Nicolasa Marín González
doaj  

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