Results 21 to 30 of about 38,625 (211)
Gilbert Simondon’s ‘Transduction’ as Radical Immanence in Performance
Transduction is Gilbert Simondon’s key concept for understanding processes of differentiation and of individuation in a number of fields, including scientific disciplines, social and human sciences, technological devices, and artistic domains ...
Paulo de Assis
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Extracorporeal membrane oxygenation simulation-based training: methods, drawbacks and a novel solution [PDF]
Introduction: Patients under the error-prone and complication-burdened extracorporeal membrane oxygenation (ECMO) are looked after by a highly trained, multidisciplinary team.
Abbes Amira +10 more
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Octavian Paler – de ce lumea modernă nu mai poate crea mituri? (Octavian Paler – Why the Modern World Cannot Create Myths Anymore) [PDF]
This essay aims to concentrate arround a retorical question Octavian Paler uses to explain the essence of his book named Calomnii mitologice: why the humanity cannot create other new myths?
Mariana-Simona Vîrtan (Pleșa)
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In online psychodrama, with all its peculiarities and risks, is it possible to a complete therapeutic process take place, moved by the therapeutic factors: action catharsis, action insight, action learning, corrective emotional experience and ...
Galabina Tarashoeva
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The paper focuses on an example of multiple-step reception: the contribution of the classical story of Orpheus and Eurydice and the mediaeval lay Sir Orfeo to Tolkien’s work.
Elena Sofia Capra
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TRA TEORIA E PRASSI. TRADUZIONI E RISCRITTURE POETICHE DA OVIDIO A PASCOLI
Partendo da alcune riflessioni sulla traduzione del testo poetico, il lavoro ha seguito alcune riscritture del mito ovidiano di Orfeo ed Euridice: l’ékphrasis di un sonetto di Browning a un quadro di Leighton; la ripresa dannunziana del mito nella Laus ...
Raffaella Bertazzoli
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(Re)considering Robert Henryson’s Orpheus and Eurydice as a Dream Vision
This study aims to reconsider the Scottish poet Robert Henryson’s retelling of the myth of Orpheus in his Orpheus and Eurydice (c. 1470) as a late example of medieval dream vision genre. There are two prominent versions of the myth in the medieval world:
Seher Aktarer
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The Self-Definition of Hellenic Identity through the Culture of Mousikē [PDF]
Altgriechische Quellen sind voll von Verweisen auf die Musik von Völkern, die nicht griechisch sind und deshalb stereotyp als ,Barbaren‘ bezeichnet werden.
Rocconi, Eleonora
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Concerning Barbarians and Romans, and RomanDiscourse on Music and Civilization [PDF]
Während der römischen Expansionszeit wurden barbarische Instrumente – Trompete und Trommel – in den Quellen als ,eigenartig‘ oder ,primitiv‘ und ihr Klang als unmusikalisch verstanden.
Vendries, Christophe
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