Safety of macitentan for the treatment of pulmonary hypertension: Real‐world experience from the OPsumit® USers Registry (OPUS) and OPsumit® Historical USers cohort (OrPHeUS) [PDF]
Pulmonary Circulation, 2022 Macitentan is an oral endothelin receptor antagonist for the management of pulmonary arterial hypertension (PAH). The OPsumit® USers Registry (OPUS) and the OPsumit® Historical USers cohort (OrPHeUS) medical chart review provide real‐world data for ...
Vallerie V. McLaughlin +12 more
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Macitentan in Pulmonary Arterial Hypertension Associated with Connective Tissue Disease (CTD-PAH): Real-World Evidence from the Combined OPUS/OrPHeUS Dataset [PDF]
Cardiology and TherapyIntroduction Data on real-world clinical practice and outcomes of patients with pulmonary arterial hypertension associated with connective tissue disease (CTD-PAH) are scarce.
Richard Channick +8 more
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The “Double Orpheus”: between Myth and Cult
Mythos, 2020 Starting with pointing at the presence of a specific ethnic and geographical duality of Orpheus in the mythical image, the article aims to explain the context of the appearance and function of his tomb and statues in Pieria.
Tomasz Mojsik
exaly +3 more sources
Ecology of the Music Mind. On the Idea of “the Binding Pattern” in Christopher Small’s Concept of Musicking [PDF]
Художественная культура, 2023 The aim of this article is to analyse key aspects of the concept of musicking. Despite the fact that this term, coined by Christopher Small, has firmly entrenched in the scientific community, the context in which it is used does not reflect the nature of
Tsvetkovskaya Tatiana A.
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GENRE OF A CONCERT-CONVERSATION IN THE HISTORY OF TELEVISION / ЖАНР КОНЦЕРТА-БЕСЕДЫ В ИСТОРИИ ТЕЛЕВИДЕНИЯ [PDF]
Наука телевидения, 2020 The article covers the genre of a TV concert-conversation dedicated to the classical music. Modern researches bypass this topic. Their interest is focused on the genres that actually ignore the intellectual potential of music art, which turns out to be ...
TSVETKOVSKAYA TATIANA A. / ЦВЕТКОВСКАЯ Т.А.
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Did Orpheus have stage fright? To oneself, to the other, to the transcendent: steps for coping with music performance anxiety [PDF]
Frontiers in PsychologyŠimunovič N.
exaly +2 more sources
ANYONE CAN HEAR: RESEARCH POTENTIAL OF CLASSICAL RADIO FORMAT / У ВСЕХ НА СЛУХУ: АНАЛИТИЧЕСКИЙ ПОТЕНЦИАЛ РАДИО ФОРМАТА CLASSICAL [PDF]
Наука телевидения, 2020 The article analyzes the ‘Classical’ format of the radio. For centenary history of the industry’s development, a wealth of factual material has been accumulated and it needs systematization and conceptualization, however classical music is rarely noticed
TSVETKOVSKAYA Tatiana A. / ЦВЕТКОВСКАЯ ТАТЬЯНА АНАТОЛЬЕВНА
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Reality, Space and Time: The Challenges in Online Psychodrama
Forum for Group Psychotherapies and Processes, 2023 In considering online psychodrama, two essential questions arise: how to achieve adequate involvement of the protagonist in the experiences in surplus reality on the virtual psychodrama stage and how to overcome the risks of insufficient or excessive ...
Galabina P. Tarashoeva
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(Re-) Presenting an altered interactive system. On et ego, a piece for classical guitar, two piezoelectric microphones and electronics [PDF]
EAI Endorsed Transactions on Creative Technologies, 2020 INTRODUCTION: Starting from et ego, a piece for classical guitar and electronics, this paper aims to introduce the notionof the interactive system as a tool to understand the musical activity developed by a composer and/or performer inrelationship with ...
D. Fantechi
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Pastiching as Artistic Research: Ifigenia / Ipermestra (Brussels, 2006)*
Musicology Today, 2021 On 6 December 2006, students of the Royal Conservatoire of Brussels performed two one-act pasticci arranged by the author of this article: Ifigenia and Ipermestra. Assembled as experiments in the young discipline of artistic research in music, both ‘cut &
Forment Bruno
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