Results 111 to 120 of about 314 (133)

Sklovskij's Concept of Ostranenie and Aristotle's Admiratio

MLN - Modern Language Notes, 1977
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Ostranenie, Kenosis, and Dialogue: The Metaphysics of Formalism According to Shklovsky

Slavic and East European Journal, 2005
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Narrative Ostranenie in R.K. Narayan's the Painter of Signs

Journal of Commonwealth Literature, 1994
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Das Prinzip der Verfremdung (Ostranenie) Kasimir Malewitsch, Reservist 1. Klasse, 1914

2007
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De geschiedenis van ostranenie

, 1999
Geerts, Ronald
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… auch als Vorwort zu verstehen: Hidden Epiphanies/Ostranenie als Prinzip

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Gengivelsens veje:Om nogle af ostranenies globale metamorfoser

2009
Artiklen undersøger, hvordan den russiske litteraturteoretiker Viktor Shklovskijs begreb for æstetisk distance, ostranenie, forbinder sig med æstetisk teori og æstetiske greb på mere globalt plan, fra Aristoteles' skrift om den græske tragedie over de tyske romantikeres selvspejling i lokal folkekultur samt asiatisk kunst og til de moderne avantgarders
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Ostranenie

Philosophie Magazine, 2021
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Shklovsky'sostranenie, Bakhtin'svnenakhodimost'(How Distance Serves an Aesthetics of Arousal Differently from an Aesthetics Based on Pain)

Poetics Today, 2005
As literary critics and language theorists, Viktor Shklovsky and Mikhail Bakhtin each utilize “aesthetic distance” in an unconventional way—unrelated, it would seem, to the usual aesthetic criteria of beauty, goodness, or truth. For the Formalist Shklovsky, the distancing or estrangement of an object sharpens our perception and stimulates our senses ...
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A HUNDRED YEARS OF CLASSICAL CINEMA: OSTRANENIE, CINEMA AND OTHER ARTS

2016
The coinage of the term Ostranenie in Shklovsky’s essay coincides with the symbolic birth of classical narrative cinema, the dominant that replaced the early or pre-cinema period whose retrospective unconventionality has since haunted avant-garde and experimental cinema.
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