Results 71 to 80 of about 314 (133)

The Shock of Form: Ostranenie as Cognitive Rupture in Russian Formalism

This paper explores the foundational concept of 'Ostranenie' (defamiliarization) within Russian Formalism, arguing for its significance as a mechanism for cognitive rupture. Developed primarily by Viktor Shklovsky, Ostranenie posits that the purpose of art is to counter the automaticity of perception, forcing individuals to apprehend objects and ...
Revista, Zen, LITERATURE, 10
openaire   +1 more source

The Q is Chaos: Freedom 4 Artists is Ostranenie

In this thesis, I suggest that ostranenie is the artistic equivalent of chaos and it can be used by artists to grab and maintain the perception of an audience through the disruption of norms or pre-established conditions.
Alba-Dominguez, Cristian J.
core  

Enactivism and Ecological Psychology: The Role of Bodily Experience in Agency. [PDF]

Front Psychol, 2020
Popova YB, Rączaszek-Leonardi J.
europepmc   +1 more source

„Ça va de soi“. Die visuelle Repräsentation von Gewalt im Holocaust-Dokumentarfilm

, 2015
Brian Winston greift die Debatte um die Nicht-Darstellbarkeit der Gewalt des Holocausts auf und weist darauf hin, dass vor jeder moralischen Überlegung zunächst einmal die fast vollständige Abwesenheit von audiovisuellen Zeugnissen konstatiert werden ...
Brian Winston, Tobias Steiner
core   +1 more source

Empathy versus Abstraction in Twentieth-Century German and Russian Aesthetics

, 2007
In his paper, Empathy versus Abstraction in Twentieth-Century German and Russian Aesthetics, Thorsten Botz-Bornstein argues that Alexander Koyré has shown how the crisis of belief incited by Bacon, Montaigne, Pascal, and Descartes made that man lost ...
Botz-Bornstein, Thorsten, Thorsten Botz-Bornstein   +1 more
core   +1 more source

E(n)stranged:Rethinking Defamiliarization in Literature and Visual Culture

Variously translated as “estrangement,” “enstrangement” or “defamiliarization,” Viktor Shklovsky’s concept of ostranenie is more relevant than ever.

core   +2 more sources

Art, as risky device

Artnodes
My title alludes to “Art, as Device,” Victor Shklovsky’s foundational statement of Russian Formalism. The cornerstone of its contribution to modernist studies is the idea of defamiliarization (ostranenie or estrangement), a program in which form subtends
Aaron Jaffe
doaj   +1 more source

"Siamo nati nei mari": Kotik Letaev o la vita percepita da un bambino

eSamizdat, 2019
In his essay Theory of Prose Shklovsky defines Andrej Belyj "the most interesting writer of our time" dedicating an entire chapter to him in which he dwells in particular on Kotik Letaev's "ornamental prose".
Cheti Traini
doaj  

"Aktualisace" in English scholarly literature : interpretation, ignorance, and misunderstanding

, 2013
This paper explores the term "aktualisace", one of the key concepts of the Prague Structuralists, and its reception in English scholarly literature.
Šlaisová, Eva
core  

Making the familiar strange in theatre and drama: from Russian Formalist avant-garde to Brecht

, 2002
This work explores the idea of distancing the familiar within the context of modernism. It particularly focuses on Russian Formalist notion of defamiliarization (ostranenie), on the experiments of the Russian avant-garde theatre, and on Bertolt Brecht's ...
Jestrovic, Silvija
core